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Manuel Garin: El gag visual. De Buster Keaton a Super Mario
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Rubén Olachea Pérez
Published/Copyright:
July 18, 2017
Published Online: 2017-7-18
Published in Print: 2017-7-26
© 2017 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Performing rebelliousness: Dutch political humor in the 1780s
- Japanese perceptions of humor in the English language classroom
- Punches or punchlines? Honor, face, and dignity cultures encourage different reactions to provocation
- The influence of humor and amusement on mother-adolescent sexual communication
- Book Reviews
- Manuel Garin: El gag visual. De Buster Keaton a Super Mario
- Rea, Christopher.: The age of irreverence: A new history of laughter in China
- Brodie, Ian.: A vulgar art: A new approach to stand-up comedy
- Swick, David and Richard Keeble: The funniest pages: International perspectives on humor in journalism
Articles in the same Issue
- Frontmatter
- Performing rebelliousness: Dutch political humor in the 1780s
- Japanese perceptions of humor in the English language classroom
- Punches or punchlines? Honor, face, and dignity cultures encourage different reactions to provocation
- The influence of humor and amusement on mother-adolescent sexual communication
- Book Reviews
- Manuel Garin: El gag visual. De Buster Keaton a Super Mario
- Rea, Christopher.: The age of irreverence: A new history of laughter in China
- Brodie, Ian.: A vulgar art: A new approach to stand-up comedy
- Swick, David and Richard Keeble: The funniest pages: International perspectives on humor in journalism
