Abstract
A universal construction of self-similar fractals with a given dimension which are Cartesian products of Cantor sets or, trivially, of unit intervals are presented at first. Their successive approximations consisting of linear segments visualize language fractals in a strong sense defined in our earlier paper Andres (2010). Then the measure of semantics is defined for linguistic objects verified as more realistic language fractals in a weak sense. Their visualization is realized in a more sophisticated way as well. The process of production and reception of the text is explained by means of direct and inverse transformations from multidimensional visualized language structures to onedimensional (de Saussure’s) ones, and reversely (whence the title). The associated expansion (due to semantics) is called the pack of cards effect or the accordion effect. The supplied illustrative examples are based on the fractal analysis of E. A. Poe’s “Raven”.
© 2014 Akademie Verlag GmbH, Markgrafenstr. 12-14, 10969 Berlin.
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Articles in the same Issue
- Masthead
- On de Saussure’s principle of linearity and visualization of language structures
- On the use of „Kampfhund“ in German
- Communicating European Values in Institutional Discourse: A statistical model for the analysis of citizens’ perception of EU
- Pitfalls of the Transitivity Hypothesis: Transitivity in Conversation and Written Language in Czech
- Sentence length and style. The case of two contemporary Bengali authors viz Lila Mazumdar and Sunil Gangopadhyaya
- A Synergetic Linguistic Study on Compounding Propensity in technical English
- The Relationship between Word Length and Frequency in Indian Languages
- Linearity, Calligraphy and Syntax in the Rongorongo Script
- Vocabulary richness and thematic concentration in internet fetish fantasies and literary short stories
- REPORTS ABOUT SCIENTIFIC PROJECTS. Call for Cooperation Grammatische Variation in deutschsprachigen Fachtexten Projektskizze
- REVIEWS. Statistik für Sprachwissenschaftler
- ADDRESSES OF MEMBERS OF EDITORIAL BOARD