The road chronotope in rural colonial Philippines
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Maria Luisa Torres Reyes
Abstract
Through a chronotopic reading of “How My Brother Leon Brought home a Wife” by Manuel E Arguilla, a famous short story in English included in textbooks and anthologies of Philippine literature published during the American colonial era, the role of the contextual “background” features of fiction are brought into the textual foreground in order to focus on their dynamic relations. This attention to the mutual constitution of the text and context which are conventionally understood to be exclusive if not exclusionary of each other is meant to show how, in fact, the spatio-temporal structuring and generic framing of the text highlight the role of the “aesthetic” (the “intrinsic” textual elements of artistic form) while also foregrounding the very “politics” of the story’s context (the “extrinsic” contextual reality of society out there). Indeed, as the paper argues through a broadly narratological close reading of “How My Brother Leon Brought Home a Wife,” the story’s chronotope shows how text and context are mutually constitutive and inextricable spatio-temporal dimensions of the story embodying the story’s textual framing and structuring, marking its narratological significance, both aesthetically and politically against the larger backdrop of resistance movements during the American colonial period.
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© 2022 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Frontmatter
- Anthropocene, literature, and econarratology: An interview with Marco Caracciolo
- The road chronotope in rural colonial Philippines
- Approaching the world of non-human experience: Unnatural ways of worldmaking in Ian McEwan’s fiction
- ‘The whole fragment’: Fragments and ethics in the poetry of Ann Lauterbach
- Conceptions of literary authorship in modern literary theories: history, issues, approaches
- Balance history and fiction in narrative: Approaching Walter Scott’s classical historical novels
Articles in the same Issue
- Frontmatter
- Frontmatter
- Anthropocene, literature, and econarratology: An interview with Marco Caracciolo
- The road chronotope in rural colonial Philippines
- Approaching the world of non-human experience: Unnatural ways of worldmaking in Ian McEwan’s fiction
- ‘The whole fragment’: Fragments and ethics in the poetry of Ann Lauterbach
- Conceptions of literary authorship in modern literary theories: history, issues, approaches
- Balance history and fiction in narrative: Approaching Walter Scott’s classical historical novels
