Article
Publicly Available
Titelseiten
Published/Copyright:
November 28, 2017
Published Online: 2017-11-28
Published in Print: 2017-11-23
© 2017 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Titelseiten
- Introduction: Experimental literature and narrative theory
- Perturbatory narration in literature und film
- Blocks to, and building blocks of, narrativity: Fragments, anecdotes, and narrative lines in David Markson’s Reader’s block
- Eighteen hours of salmon: On the narrativity of slow TV
- A “fucked up” novel, narratology, and the Difference approach to literary fiction
- Framing absence: A narratology of the empty page
- “Both close and distant”: Experiments of form and the medieval in contemporary literature
- Who says? Problematic narration in Paul Auster’s City of glass
- The Eventfulness of Non-Events in Modernist Poetry: T. S. Eliot’s The Waste Land and Bertolt Brecht’s “Vom armen B. B.”
- Fantastic reversals of time: Representations of ageing in the fantastic mode
Articles in the same Issue
- Titelseiten
- Introduction: Experimental literature and narrative theory
- Perturbatory narration in literature und film
- Blocks to, and building blocks of, narrativity: Fragments, anecdotes, and narrative lines in David Markson’s Reader’s block
- Eighteen hours of salmon: On the narrativity of slow TV
- A “fucked up” novel, narratology, and the Difference approach to literary fiction
- Framing absence: A narratology of the empty page
- “Both close and distant”: Experiments of form and the medieval in contemporary literature
- Who says? Problematic narration in Paul Auster’s City of glass
- The Eventfulness of Non-Events in Modernist Poetry: T. S. Eliot’s The Waste Land and Bertolt Brecht’s “Vom armen B. B.”
- Fantastic reversals of time: Representations of ageing in the fantastic mode