Outshining Aura: How Modernist Film Refashions the Myth of Don Quixote

Artikel in diesem Heft

1. Editorial. Where Does Open Cultural Studies Come from?
2. Media and Emotions, edited by Anna Malinowska and Toby Miller
3. Sensitive Media
4. This Pussy Grabs back: Humour, Digital Affects and Women’s Protest
5. “just hanging out with you in my back yard”: Mark Zuckerberg and Mediated Paternalism
6. How Bell Canada Capitalises on the Millennial: Affective Labour, Intersectional Identity, and Mental Health
7. Stranger-ness and Belonging in a Neighbourhood WhatsApp Group
8. Reclaiming Melancholy by Emotion Tracking? Datafication of Emotions in Health Care and at the Workplace
9. Motion Capturing Emotions
10. Affect and Dialogue in Collaborative Cross- Disciplinary Research: Developing Interactive Public Art on Cardiff Bay Barrage
11. Affective Iconoclasm: Codes of Labour as a Human Characteristic
12. Erratum. Affective Iconoclasm: Codes of Labour as a Human Characteristic
13. Whimsical Bodies and Performative Machines: Aesthetics and Affects of Robotic Art
14. Special Issue: Transmediating Culture(s)? Edited by Justyna Stępień and Beata Zawadka
15. Preface. Fabricating a Common Fiction Together
16. Libeskind and the Holocaust Metanarrative; from Discourse to Architecture
17. Transmediality in Symbolist and Surrealist Photo-Literature
18. The Frankenstein Meme: Penny Dreadful and The Frankenstein Chronicles as Adaptations
19. “Cinematic” Gravity’s Rainbow: Indiscernibility of the Actual and the Virtual
20. Showrunner as Auteur: Bridging the Culture/ Economy Binary in Digital Hollywood
21. “See My Heart”: Art and Alchemical Reasoning, or Character Transformation in Bryan Fuller’s Hannibal
22. Choices and Consequences: The Role of Players in The Walking Dead: A Telltale Game Series
23. Game Logic in the TV Series The Walking Dead: On Transmedial Plot Structures and Character Layouts
24. Special Issue: On Uses of Black Camp, edited by Anna Pochmara and Justyna Wierzchowska
25. Notes on the Uses of Black Camp
26. Love is the Message: Barkley Hendricks’s MFSB Portrait Aesthetics
27. Nobody Knows My Name: The Masquerade of Mourning in the Early 1980s Artistic Productions of Michael Jackson and Prince
28. “If You Don’t Bring No Grits, Don’t Come”: Critiquing a Critique of Patrick Kelly, Golliwogs, And Camp as A Technique of Black Queer Expression
29. “Beef Jerky in a Ball Gown”: The Camp Excesses of Titus Andromedon in Unbreakable Kimmy Schmidt
30. Prissy’s Quittin’ Time: The Black Camp Aesthetics of Kara Walker
31. Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics
32. Special Issue: Victorians Like Us—Domesticity and Worldliness, edited by Ana Cristina Mendes and Iolanda Ramos
33. Introduction: Victorians Like Us–Domesticity and Worldliness
34. A Late Victorian Family Life: The Typically Untypical World of The Collingwoods of Lanehead
35. Hothouse Victorians: Art and Agency in Freshwater
36. Clutter and the Clash of Middle-class Tastes in the Domestic Interior
37. How the Other Half Lives: Under the Arch with Lady Henry Somerset
38. Talking about Birth Control in 1877: Gender, Class, and Ideology in the Knowlton Trial
39. A Victorian Gentleman in the Pharaoh’s Court: Christian Egyptosophy and Victorian Egyptology in the Romances of H. Rider Haggard
40. R. F. BURTON Revisited: Alternate History, Steampunk and the Neo-Victorian Imagination
41. Special Issue: Multicultural Cervantes, edited by Juan de Dios Torralbo Caballero
42. A Foreword to Multicultural Cervantes: On the Contributions and Their Authors
43. Don Quixote in Film (2005-2015)
44. Don Quixote, Sweded by Michel Gondry in Be Kind Rewind (2008)
45. Don Quixote’s Quixotic Trauma Therapy: A Reassessment of Cervantes’s Canonical Novel and Trauma Studies
46. Cervantes, Lizardi, and the Literary Construction of The Mexican Rogue in Don Catrín de la fachenda
47. The Politics of Genre and Gender in Tabitha Gilman Tenney’s Female Quixotism
48. Outshining Aura: How Modernist Film Refashions the Myth of Don Quixote
49. Faulkner’s Quixotic Picaresque: Carnival, Tricksters, and Rhizomatic Intertextuality in The Reivers
50. Miguel de Cervantes’s Don Quixote and John Barth’s The Sot-Weed Factor: A Deconstructive Reading
51. Cervantes, the Journey, and What it Tells Us About Becoming a Writer
52. The Delusion of Enchantment in Miguel Cervantes’s Don Quixote and William Shakespeare’s Midsummer Night’s Dream
53. Special Issue: Migration and Translation, edited by Ewa Kołodziejczyk
54. Czesław Miłosz’s Migrant Perspective in Rodzinna Europa [Native Realm]
55. Postsecular Instruments of Acculturation. Czesław Miłosz’s Works from the Second American Stay
56. Worlds of Transitive Identities
57. Cultural and Linguistic Translation of the Self: A Case Study of Multicultural Identity Based on Eva Hoffman’s Lost in Translation
58. Liberated from Their Language: Polish Migrant Authors Publishing in English
59. Nato Fuori Posto: Exploring Placelessness in Dean Serravalle’s “The Buried Tree”
60. Regular articles
61. Mobility and Insurgent Celebrityhood: The Case of Arundhati Roy
62. Getting Multiculturalism Right: Deontology and the Concern for Neutrality
63. “Okay ladies, now let’s get in formation!”: Music Videos and the Construction of Cultural Memory
64. Chivalry, Materialism, and the Grotesque in Don Quijote and Alberto Blest Gana’s El ideal de un calavera
65. Driving, not Losing, the Plot: Narrative Patterns in Implicit and Explicit Fictional Representations of Dementia
66. Caspar David Friedrich, Ancient Rome and the Freiheitskrieg
67. Misterchef? Cooks, Chefs and Gender in MasterChef Australia
68. From Shame to Shaming: towards an Analysis of Shame Narratives
69. Re-thinking the Veil, Jihad and Home in Fadia Faqir’s Willow Trees Don’t Weep (2014)
70. The New Silk Road, Old Concepts of Globalization, and New Questions
71. Cultural Experiences and Successful Adjustment – A Case Study of Two Foreign Educators in Taiwan
72. Pramod K. Nayar, The Extreme in Contemporary Culture: States of Vulnerability