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Publicly Available
Cultural Identity in Claudia Llosa’s The milk of sorrow
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Leticia Gómez
Leticia Gómez (b. 1978) is a teacher and a Ph.D. student at Gothenburg University, Sweden. Her research interests include identity and semiotics and cultural and memory studies in Latin American literature and cinema. Publications include “El concepto de posmemoria en tres novelas argentinas recientes” (2014) and “Espacios migrantes en Zona Sur and La teta asustada” (2015).
Published/Copyright:
February 3, 2015
Published Online: 2015-02-03
Published in Print: 2015-02-01
© 2015 by Walter de Gruyter Berlin/Boston
Articles in the same Issue
- Titelei
- Part One: Chinese Cultural Signs and Sign Theories
- The Spatial Signification of Shanghai Shikumen Longtang
- Part Two: Western Cultural Signs and Sign Theories
- Human Life, Symbol and Writing
- Cultural Identity in Claudia Llosa’s The milk of sorrow
- Deixis in Musical Narrative
- The Semiotic Function of the Kola Nut in Nigeria
- Part Three: Interactions between Chinese and Western Semiotics
- Cross-media Integration of Literature and Dance
Articles in the same Issue
- Titelei
- Part One: Chinese Cultural Signs and Sign Theories
- The Spatial Signification of Shanghai Shikumen Longtang
- Part Two: Western Cultural Signs and Sign Theories
- Human Life, Symbol and Writing
- Cultural Identity in Claudia Llosa’s The milk of sorrow
- Deixis in Musical Narrative
- The Semiotic Function of the Kola Nut in Nigeria
- Part Three: Interactions between Chinese and Western Semiotics
- Cross-media Integration of Literature and Dance
