Article
Licensed
Unlicensed
Requires Authentication
Smith, I. R., & Verevis, C. (Eds.): Transnational film remakes
-
Eduard Cuelenaere
Published/Copyright:
January 30, 2018
Published Online: 2018-1-30
Published in Print: 2018-6-26
©2018 Walter de Gruyter GmbH, Berlin/Boston
You are currently not able to access this content.
You are currently not able to access this content.
Articles in the same Issue
- Frontmatter
- Articles
- Perpetrators’ strategic communication: Framing and identity building on ethno-nationalist terrorists’ websites
- The Interactive Communication Process (ICP): A model for integrating science, academia, and profession
- Framing Sálvame: Public debates on taste, quality and television in Spain
- The effects of visual isolation on the perception of scandalized politicians
- Online music recommendation platforms as representations of ontologies of musical taste
- Book Reviews
- Athique, A.: Transnational audiences. Media reception on a global scale
- Couldry, N. and Hepp, A.: The mediated construction of reality
- Smith, I. R., & Verevis, C. (Eds.): Transnational film remakes
Articles in the same Issue
- Frontmatter
- Articles
- Perpetrators’ strategic communication: Framing and identity building on ethno-nationalist terrorists’ websites
- The Interactive Communication Process (ICP): A model for integrating science, academia, and profession
- Framing Sálvame: Public debates on taste, quality and television in Spain
- The effects of visual isolation on the perception of scandalized politicians
- Online music recommendation platforms as representations of ontologies of musical taste
- Book Reviews
- Athique, A.: Transnational audiences. Media reception on a global scale
- Couldry, N. and Hepp, A.: The mediated construction of reality
- Smith, I. R., & Verevis, C. (Eds.): Transnational film remakes
