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Creativity, reuse, and regularity in music and language

  • Graeme Trousdale

    Graeme Trousdale is Professor of Cognitive Linguistics at the University of Edinburgh. His research to date has been in the field of language variation and change, focussing specifically in the field of diachronic construction grammar. He is the co-author (with Elizabeth Closs Traugott) of Constructionalization and Constructional Changes and the co-editor (with Thomas Hoffmann) of the Oxford Handbook of Construction Grammar. His current research is concerned with exploring parallels between patterns of change in language and in music.

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Published/Copyright: July 4, 2020
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Abstract

A recent strand in research in historical linguistics has argued that language change often involves constructional routinization (e.g., Traugott and Trousdale 2013), while recent psycholinguistic work has also suggested parallels between alignment, routinization, and change (Garrod and Pickering 2013) — such routines have been shown to emerge in conversational flow as a product of interaction between speakers and hearers. Similar claims have been made for the development of musical routines in improvisation: much improvisational work involves the use of prefabricated routines (Torrance and Schumann 2018). This article seeks to contribute to the debate on creativity by providing an analysis of some of the similarities and differences between musical and linguistic conventions, including a comparison of creative improvisation in music and innovation in language. The discussion is couched in a cognitive linguistic framework with a particular focus on linguistic constructions (see the overview in Hoffmann and Trousdale 2013) and a reflection of how this might be extended to consider aspects of the cognitive representation of musical structures.


Corresponding author: Graeme Trousdale, Edinburgh University, Edinburgh, UK, E-mail:

Special Issue: Construction Grammar and Creativity edited by Thomas Hoffmann.


About the author

Graeme Trousdale

Graeme Trousdale is Professor of Cognitive Linguistics at the University of Edinburgh. His research to date has been in the field of language variation and change, focussing specifically in the field of diachronic construction grammar. He is the co-author (with Elizabeth Closs Traugott) of Constructionalization and Constructional Changes and the co-editor (with Thomas Hoffmann) of the Oxford Handbook of Construction Grammar. His current research is concerned with exploring parallels between patterns of change in language and in music.

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Published Online: 2020-07-04

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