Abstract
“The Mirror of Wonders” (Mirʾāt al-ʿajāʾib) is an illustrated Arabic treatise about a mysterious mirror that displays different alchemical symbols. This work of unsettled authorship, which was composed between the 12th and 16th centuries, has got a rich manuscript tradition with more than 45 extant copies dating from the 16th to the 20th centuries, including translations into Turkish and Persian and various short versions of the text. They prove the remarkable popularity of “The Mirror of Wonders” throughout the Islamicate world, even in modern times. Most manuscripts contain a coloured illustration of the mirror and its symbols, with a large scope of variation in their visual design. The nine alchemical symbols of the mirror are: 1. The two figures embracing each other (al-shakhṣān al-muʿtaniqān); 2. The black circle (al- dāʾira al-sawdāʾ); 3. The palm of the hand (al-kaff); 4. The black raven (al-ghurāb al-aswad); 5. The eagle (al-ʿuqāb); 6. The sun (al-shams); 7. The snake (al-thuʿbān); 8. The nine crabs (al-saraṭānāt al-tisʿa) with the dog descending into the water (al-kalb al-nāzil fī l-māʾ) and 9. The nine circles (al-dawāʾir al-tisʿa). This paper presents the manuscript tradition of Mirʾāt al-ʿajāʾib and analyses the diverging imagery of the symbols and their meanings in the different manuscripts.
Acknowledgements
I wish to thank Svetlana Dolgusheva, Bink Hallum, Tobias Heinzelmann, Malihe Karbassian, and Mohammad Karimi Zanjani Asl for their help with the acquisition and consultation of manuscript copies, as well as Christopher Braun, Regula Forster, Isabel Garrood, and the anonymous reviewers of Asiatische Studien for their helpful comments. Furthermore, I am grateful to the Swiss National Science Foundation (SNSF) for funding the research for this article, and to all libraries that provided manuscript copies and authorised the publication of their illustrations.
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Research funding: Swiss National Science Foundation (SNSF).
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Articles in the same Issue
- Frontmatter
- Introduction: alchemy in the Islamicate world
- The alchemical work of Khālid b. Yazīd b. Muʿāwiya (d. c. 85/704)
- In code we trust: the concept of rumūz in Andalusī alchemical literature and related texts
- The tongues of stones: diversity of interlocutions in Arabic alchemical writings
- Alchemical lexica in Syriac: planetary signs, code names and medicines
- Alchemy in the Cairo Genizah: the Nachlass of an untidy Jewish alchemist
- Alchemy in an age of disclosure: the case of an Arabic Pseudo-Aristotelian treatise and its Syriac Christian “translator”
- The Alchemist’s work: Ibn Arfaʿ Raʾs and the reception of his collection of alchemical poems Shudhūr al-dhahab
- Alchemical stanzaic poetry (muwashshaḥ) by Ibn Arfaʿ Raʾs (fl. twelfth century)
- Classical poetic motifs as alchemical metaphors in the Shudhūr al-dhahab and its commentaries
- The alchemical symbols in the manuscripts of “The Mirror of Wonders” (Mirʾāt al-ʿajāʾib)
- “Take dragon’s blood and crush it to a fine powder”: recipes in the alchemical composite manuscript MS Gotha orient A. 1162
- Buchbesprechungen – Comptes Rendus – Book Reviews
- Ahmet Turan Türk: Erken Dönem Tatar Türkçesine Ait Çok Lehçeli Bir Metin: Tefsīr-i Noʿmānī
- Ahmed El Shamsy: Rediscovering the Islamic Classics: How Editors and Print Culture Transformed an Intellectual Tradition
Articles in the same Issue
- Frontmatter
- Introduction: alchemy in the Islamicate world
- The alchemical work of Khālid b. Yazīd b. Muʿāwiya (d. c. 85/704)
- In code we trust: the concept of rumūz in Andalusī alchemical literature and related texts
- The tongues of stones: diversity of interlocutions in Arabic alchemical writings
- Alchemical lexica in Syriac: planetary signs, code names and medicines
- Alchemy in the Cairo Genizah: the Nachlass of an untidy Jewish alchemist
- Alchemy in an age of disclosure: the case of an Arabic Pseudo-Aristotelian treatise and its Syriac Christian “translator”
- The Alchemist’s work: Ibn Arfaʿ Raʾs and the reception of his collection of alchemical poems Shudhūr al-dhahab
- Alchemical stanzaic poetry (muwashshaḥ) by Ibn Arfaʿ Raʾs (fl. twelfth century)
- Classical poetic motifs as alchemical metaphors in the Shudhūr al-dhahab and its commentaries
- The alchemical symbols in the manuscripts of “The Mirror of Wonders” (Mirʾāt al-ʿajāʾib)
- “Take dragon’s blood and crush it to a fine powder”: recipes in the alchemical composite manuscript MS Gotha orient A. 1162
- Buchbesprechungen – Comptes Rendus – Book Reviews
- Ahmet Turan Türk: Erken Dönem Tatar Türkçesine Ait Çok Lehçeli Bir Metin: Tefsīr-i Noʿmānī
- Ahmed El Shamsy: Rediscovering the Islamic Classics: How Editors and Print Culture Transformed an Intellectual Tradition