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Reading Machines: On the Surface of Meaning – Beyond the Surface of Discourse

  • Ulrike Küchler EMAIL logo
Published/Copyright: June 6, 2014
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Abstract

Reading machines are technological devices promising to support or even perfect processes of reading. Although the concept of reading machines is almost as old as the notion of writing machines, it has received far less attention in literary and cultural studies. The following essay addresses this gap. The first part of the argument links the reading machine to Freud’s definition of a tool. As a prosthesis connected to the human body and mind, a tool produces ‘trouble at times’: translation difficulties between the machine and its user affecting matters of materiality, discourse, and meaning alike. The reading machine embodies such ‘trouble at times’ that results from the paradox tension between machine and meaning. While the machine requires the mechanized processes to be unambiguous, the reading process is ambiguous by definition. Most of the reading machines invented in the past decades, do not take into account the trouble that results from such a tension: first and foremost, they serve to support reading processes mechanically. Yet, some of them stand out and hold a specific potential to stage such troubles and render the underlying tensions productive. The article discusses three of them, each of them focussing on a different aspect of the reading process: the first one is a ‘pedagogical reading machine’ (1767) concerned with the alphabetization process, the second one is an ‘aesthetic reading machine’ (1930) designed for reading literary texts, and the third one is a ‘critical reading machine’ (2007) that focuses on literary criticism.

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Published Online: 2014-6-6
Published in Print: 2014-6-1

© 2014 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Frontmatter
  2. Frontmatter
  3. Contributions
  4. Mapping the Unreal: Max Blecher in the Shadow of the Avant-garde
  5. On Concepts and Naps
  6. Reading Machines: On the Surface of Meaning – Beyond the Surface of Discourse
  7. Paper Trails
  8. Attending the Dying: Images of Compassion
  9. Reading Allegory and Nature in Cormac McCarthy’s The Road: Towards a Non-Anthropocentric Vision of the Language of Nature
  10. Extending the Battlefield: Genocide and the Family in Goretti Kyomuhendo’s Secrets No More
  11. Form und Formauflösung nach Paul Ernst: Die Suche nach einem sittlichen Formideal
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  17. Jiang Chengyong and Wu Yuesu: A Thematic Exploration of 20th Century Western Literature. Beijing: China’s Social Sciences Press, 2013.
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  23. Christian Kiening, Heinrich Adolf (Hg.): Der absolute Film. Dokumente der Medienavantgarde (1912–1936). (Reihe Medienwandel – Medienwechsel – Medienwissen. Band 25). Zürich: Chronos Verlag, 2012, 512 Seiten
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