Alexander Popes biographische Legende in Deutschland, 1740–1781. Entstehung, Genese und Funktion einer Imago des freien Schriftstellers

Articles in the same Issue

1. Titelei
2. Contents/Inhalt
3. From Defamation to Adoration: The Reception of Kraftwerk in the British Music Press, 1974–1981
4. Schlegel’s Hamlet Then and Later
5. Alexander Popes biographische Legende in Deutschland, 1740–1781. Entstehung, Genese und Funktion einer Imago des freien Schriftstellers
6. Anglo-German Conflict for “Die wiege der Genie”: G. Herbert Rodwell and the German Opera Invasion, 1824–1833
7. “Our inimitable Shakespeare is a Stumbling-block to the whole Tribe of these rigid Criticks”: English and German Women in Eighteenth-Century Debates on Shakespeare
8. Schakespear in der Klemme: Johann Friedrich Schink and the Problem of Adaptation
9. Thematic Focus/Themenschwerpunkt: Two Centuries of Anglo-German Correspondences
10. A Sketch of Anglo-German Relations in the Nineteenth Century
11. George Eliot’s Travels in Germany
12. Theodor Fontane as Realist Novelist
13. Theodor Fontane: A German Traveller in England and Scotland
14. Albert the Traveller
15. Prince Albert, the Great Exhibition of 1851, and the German Connection
16. Prince Albert and Anglo-German Connections in 19th-Century Music
17. Discussion Forum/Diskussionsforum
18. Heroischer Kapitalismus. Ayn Rand und die Apotheose der freien Wirtschaft
19. Reviews/Rezensionen