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Made in Germany: Shakespeare’s Sonnets
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Manfred Pfister
Published/Copyright:
December 18, 2012
Published Online: 2012-12-18
Published in Print: 2012-12
© 2012 by Walter de Gruyter GmbH & Co.
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Articles in the same Issue
- Masthead
- Thematic Focus: Shakespeare in German Culture / Themenschwerpunkt: Shakespeare in deutscher Kultur
- Shakespeare and Stefan George’s Circle
- Made in Germany: Shakespeare’s Sonnets
- “What should the wars do with these jigging fools?”: Eta Harich-Schneider (1894 – 1986): German harpsichordist, musician and translator of Shakespeare’s Sonnets in Tokyo during World War II
- Other Contributions / Weitere Beiträge
- Germania and Great(er) Britain: German Scholarship and the Legitimization of the British Empire
- A Portrait of a European Cultural Exchange: The Deutsches Theater in London at the Turn of the Twentieth Century
- Friends and Enemies: The Freier Deutscher Kulturbund and the British, 1938 – 1946
- Let Thy Moon Arise: On Friedl Benedikt
- Kate Bosse-Griffiths: Dy bobl di fydd fy mhobl i / Thy people shall be my people
- “Alpha-Mädchen sind wir alle”: Subjectivity, Agency and Solidarity in Anglo-American and German Popfeminist Writing
- Reviews / Rezensionen
Articles in the same Issue
- Masthead
- Thematic Focus: Shakespeare in German Culture / Themenschwerpunkt: Shakespeare in deutscher Kultur
- Shakespeare and Stefan George’s Circle
- Made in Germany: Shakespeare’s Sonnets
- “What should the wars do with these jigging fools?”: Eta Harich-Schneider (1894 – 1986): German harpsichordist, musician and translator of Shakespeare’s Sonnets in Tokyo during World War II
- Other Contributions / Weitere Beiträge
- Germania and Great(er) Britain: German Scholarship and the Legitimization of the British Empire
- A Portrait of a European Cultural Exchange: The Deutsches Theater in London at the Turn of the Twentieth Century
- Friends and Enemies: The Freier Deutscher Kulturbund and the British, 1938 – 1946
- Let Thy Moon Arise: On Friedl Benedikt
- Kate Bosse-Griffiths: Dy bobl di fydd fy mhobl i / Thy people shall be my people
- “Alpha-Mädchen sind wir alle”: Subjectivity, Agency and Solidarity in Anglo-American and German Popfeminist Writing
- Reviews / Rezensionen