“Eene schoone engelsche troupe”: William Durham and His Company of Travelling Performers in Ghent (1713) and Germany (1724–1728)

Works Cited

Ahrendt, Rebekah Susannah. 2011. “A Second Refuge. French Opera and the Huguenot Migration, c. 1680–1710”. Unpubl. PhD dissertation. University of California at Berkeley.Search in Google Scholar

Avery, Emmett L. 1934. “Dancing and Pantomime on the English Stage, 1700–1737”. Studies in Philology 31: 417–452.Search in Google Scholar

Avery, Emmett L. (ed.). 1960. The London Stage, 1660–1800: A Calendar of Plays, Entertainments & Afterpieces, Together with Casts, Box-receipts and Contemporary Comment. Part 2, 1700–1729. 2 vols. Carbondale, IL: Southern Illinois University Press.Search in Google Scholar

Bajer, Peter Paul. 2012. Scots in the Polish-Lithuanian Commonwealth, 16th to 18th Centuries. London: Brill.10.1163/9789004210653Search in Google Scholar

Bemong, Nele. 2009. “Genoveva van Brabant in de Nederlandse letteren, en de unieke rol van volksboeken in de negentiende eeuw”. Zacht Lawijd 8: 43–44.Search in Google Scholar

Bentley, G. E. 1949. The Jacobean and Caroline Stage. Dramatic Companies and Players. Volume II. Oxford: Clarendon Press.Search in Google Scholar

Bolte, Johannes. 1895. Das Danziger Theater im 16. und 17. Jahrhundert. Hamburg: Voss.Search in Google Scholar

Bolte, Johannes. 1887. “Zur Stettiner Theatergeschichte”. Monatsblätter. Herausgegeben von der Gesellschaft für Pommersche Geschichte und Althertumskunde 1: 57–58.Search in Google Scholar

B[olte], J[ohannes]. 1887. “Zu dem Stettiner Theaterzettel”. Monatsblätter. Herausgegeben von der Gesellschaft für Pommersche Geschichte und Althertumskunde 1: 112.Search in Google Scholar

Bosman, Anston. 2004. “Renaissance Intertheater and the Staging of Nobody”. English Literary History 71: 559–585.10.1353/elh.2004.0034Search in Google Scholar

Brandt, George (ed.). 1993. German and Dutch Theatre, 1600–1848. Compiled by George W. Brandt and Wiebe Hogendoorn. Cambridge: Cambridge University Press.Search in Google Scholar

Brandt, George. 2008. “German Baroque Theatre and the Strolling Players, 1550–1750”. In: Simon Williams and Maik Hamburger (eds.). A History of German Theatre. Cambridge: Cambridge University Press. 38–64.Search in Google Scholar

Burling, William J. 1993. A Checklist of New Plays and Entertainments on the London Stage, 1700–1737. Rutherford: Farleigh Dickinson University Press.Search in Google Scholar

Butler, Elizabeth M. 1998. The Fortunes of Faust. Cambridge: Cambridge University Press.Search in Google Scholar

Catalogue of the Valuable Library of a Roman-Catholic Gentleman, Deceased; Containing an Important Collection of Lives of Saints, and of the Principal Works of Roman-Catholic Controversial Divinity. 1863. London: J. Davy.Search in Google Scholar

Chovanec, Kevin. 2016. “Faust mit Springen: On the English Players Returning Faustus to the German-Speaking Lands”. Renaissance Drama 44: 125–155.10.1086/688685Search in Google Scholar

Claeys, Prosper. 1892. Histoire du Théâtre à Gand. 3 vols. Gand: Vuylsteke.Search in Google Scholar

Crecelius, W. 1878. “Ein Zweig der Durham in Preussen”. Der Deutsche Herold. Zeitschrift für Heraldik, Sphragistik und Genealogie 9: 16–17.Search in Google Scholar

De Potter, Frans. 1882. Gent, van den Oudsten Tijd tot Heden. Geschiedkundige Beschrijving der Stad. Vierde Deel. Ghent: Annoot-Braeckman.Search in Google Scholar

Fletcher, John and William Rowley. 1711. “The Maid in the Mill”. In: The Works of Mr. Francis Beaumont and Mr. John Fletcher. Volume the Seventh. London: Printed for Jacob Tonson.Search in Google Scholar

Fürstenau, Moritz. 1861. Zur Geschichte der Musik und des Theaters am Hofe zu Dresden. Nach archivalischen Quellen. Erster Teil. Dresden: Kunze.Search in Google Scholar

Golz, Bruno. 1897. Pfalzgräfin Genoveva in der deutschen Dichtung. Leipzig: Teubner.Search in Google Scholar

“Guide to Seventeenth Century Dutch Coins, Weights and Measures”. New Netherland Institute: Exploring America’s Dutch Heritage, n. d. <https://www.newnetherlandinstitute.org/research/online-publications/guide-to-seventeenth-century-dutch-coins-weights-and-measures> [accessed 22 April 2024].Search in Google Scholar

Haekel, Ralf. 2004. Die Englischen Komödianten in Deutschland. Eine Einführung in die Ursprünge des deutschen Berufsschauspiels. Heidelberg: Universitätsverlag Winter.Search in Google Scholar

Hagen, Ernst August. 1854. Geschichte des Theaters in Preussen, vornämlich der Bühnen in Königsberg und Danzig von ihren ersten Anfängen bis zu den Gastspielen J. Fischer’s und L. Devrient’s. Königsberg: E. J. Dalkowski.Search in Google Scholar

Hansen, Günther. 1984. Formen der Commedia dell’Arte in Deutschland. Emsdetten: Lechte.Search in Google Scholar

Harris, Edward P. 1981. “From Outcast to Ideal: The Image of the Actress in Eighteenth-Century Germany”. The German Quarterly 54: 177–187.10.2307/405351Search in Google Scholar

Hayden, Judy A. 2014. “Of Windmills and Bubbles: Harlequin Faustus on the Eighteenth-Century Stage”. Huntington Library Quarterly 77: 1–16.10.1525/hlq.2014.77.1.1Search in Google Scholar

Hertzberg, Gustav F. 1893. Geschichte der Stadt Halle an der Saale von den Anfängen bis zur Neuzeit. Nach den Quellen dargestellt. III: Halle während des 18. und 19. Jahrhunderts. (1717 bis 1892). Halle a. S.: Buchhandlung des Waisenhauses.Search in Google Scholar

Hoppe, Harry R. 1949. “English Actors at Ghent in the Seventeenth Century”. Review of English Studies 25: 305–321.10.1093/res/os-XXV.100.305Search in Google Scholar

Hoppe, Harry R. 1965. “New Light on French Actors in Belgium in the Seventeenth Century”. Modern Philology 63: 52–60.10.1086/389727Search in Google Scholar

Hughes, Leo. 1981. “Afterpieces: Or, That’s Entertainment”. In: G. Winchester Stone, Jr. (ed.). The Stage and the Page. London’s “Whole Show” in the Eighteenth-Century Theatre. Berkeley, CA: University of California Press. 55–70.10.2307/jj.8306036.7Search in Google Scholar

Jensen, Lotte. 2015. “Visions of Europe: Contrasts and Combinations of National and European Identities in Literary Representations of the Peace of Utrecht (1713)”. In: Renger E. de Bruin et al.(eds.). Performances of Peace: Utrecht 1713. Leiden: Brill. 166–178.10.1163/9789004304789_011Search in Google Scholar

Katritzky, M. A. 2008. “English Troupes in Early Modern Germany: The Women”. In: Robert Henke and Eric Nicholson (eds.). Transnational Exchange in Early Modern Theater. Aldershot: Ashgate. 35–46.Search in Google Scholar

Kawerau, Waldemar. 1888. Culturbilder aus dem Zeitalter der Aufklärung. Zweiter Band: Aus Halles Literaturleben. Halle: Niemeyer.Search in Google Scholar

Koepp, Johannes. 1938. “Johannes Bolte (Berlijn, 11 Februari 1858–Berlijn, 25 Juli 1937)”. Jaarboek van de Maatschappij der Nederlandsche Letterkunde te Leiden. Leiden: Brill. 135–138.Search in Google Scholar

Liebrecht, Henri. 1922. “Les ‘Comédiens de campagne’ à Bruxelles, au XVIIe siècle”. Revue belge de philologie et d’histoire 1: 265–281.10.3406/rbph.1922.6171Search in Google Scholar

Lowerre, Kathryn. 2000. “Musical Evidence for an Early Eighteenth-Century Revival of The Maid in the Mill at Lincoln’s Inn Fields”. Theatre Notebook 54: 86–97.Search in Google Scholar

Ludvik, Dušan. 1974. “Zur Chronologie und Topographie der ‘Alten’ und ‘Späten’ Englischen Komödianten in Deutschland”. Acta neophilologica 8: 47–65.Search in Google Scholar

Meyer, Günter. 1950. Hallisches Theater im 18. Jahrhundert. Emsdetten: Lechte.Search in Google Scholar

Mountfort, William. 1697. The Life and Death of Doctor Faustus, Made into a Farce. With the Humours of Harlequin and Scaramouche. London: E. Whitlock.Search in Google Scholar

Nicoll, Allardyce. 1929. A History of Early Eighteenth Century Drama 1700–1750. Cambridge: Cambridge University Press.Search in Google Scholar

O’Brien, John. 1998. “Harlequin Britain: Eighteenth-Century Pantomime and the Cultural Location of Entertainment(s)”. Theatre Journal 50: 489–510.10.1353/tj.1998.0099Search in Google Scholar

Opel, Julius. 1881. “Der Kampf der Universität Halle gegen das Theater”. Blätter für Handel, Gewerbe und soziales Leben. Beiblatt zur Magdeburgischen Zeitung, 7 June.Search in Google Scholar

Petig, William E. 1984. Literary Antipietism in Germany during the First Half of the Eighteenth Century. New York: Peter Lang.Search in Google Scholar

Pies, Eike. 1973. Prinzipale. Zur Genealogie des deutschsprachigen Berufstheaters vom 17. Bis 19. Jahrhundert. Düsseldorf: Henn.Search in Google Scholar

Puschmann, Claudia. 1999. Fahrende Frauenzimmer: Zur Geschichte der Frauen an deutschen Wanderbühnen (1670–1760). Herbolzheim: Centaurus.Search in Google Scholar

Rich, John. 1724. A Dramatick Entertainment, Call’d The Necromancer: Or, Harlequin, Doctor Faustus. As Perform’d at the Theatre Royal In Lincoln’s-Inn-Fields. The Sixth Edition. To which is Prefix’d, A short Account of Doctor Faustus; and how he came to be reputed a Magician. London: T. Wood.Search in Google Scholar

Rogers, Vanessa. 2014. “John Gay, Ballad Opera and the Théâtres de la Foire”. Eighteenth-Century Music 11: 173–213.10.1017/S1478570614000049Search in Google Scholar

Salman, Jeroen. 2017. “Vormvast en Betekenisvol. Populaire Beeldverhalen in de Nederlandse Literatuurgeschiedenis”. Spiegel der Letteren 59: 291–319.Search in Google Scholar

Sawyer, Paul. 1970. “The Popularity of Various Types of Entertainment at Lincoln’s Inn Fields and Covent Garden Theatres, 1720–1733”. Theatre Notebook 24: 154–163.Search in Google Scholar

Schlegel, Katy. 2012. “Johann Carl von Eckenberg”. Sächsische Biografie, herausgegeben vom Institut für Sächsische Geschichte und Volkskunde, April 18. <https://saebi.isgv.de/biografie/22749> [accessed 11 October 2023].Search in Google Scholar

Schneider, Albert. 1954. La Légende de Geneviève de Brabant dans la Littérature Allemande (Volksbuch, Müller, Tieck, Hebbel, Ludwig). Nancy: Société d’Impressions Typographiques.Search in Google Scholar

Schrickx, Willem. 1966. “French, Italian, Spanish and German Actors and Other Artists at Ghent (1575–1700)”. Revue Belge de Philologie et d’Histoire/Belgisch Tijdschrift voor Filologie en Geschiedenis 44: 859–899.10.3406/rbph.1966.2636Search in Google Scholar

Scouten, Arthur H. (ed.). 1961. The London Stage, 1660–1800: A Calendar of Plays, Entertainments & Afterpieces, Together with Casts, Box-receipts and Contemporary Comment. Part 3, 1729–1747. 2 vols. Carbondale, IL: Southern Illinois University Press.Search in Google Scholar

Seuffert, Bernhard. 1877. Die Legende von der Pfalzgräfin Genoveva. Habilitationsschrift der Philosophischen Fakultät der Universität Würzburg. Würzburg: Thein’sche Druckerei.Search in Google Scholar

Tasburgh, John. 1645. Innocency Acknowledg’d in The Life and Death of S. Genoveva Countesse Palatin of Trevers. Translated into English. Gaunt: vanden Kerchove.Search in Google Scholar

Vander Motten, J. P. 2022. “More on the Rope-Dancing Couple Jacob Hall (fl. 1670–1681/2) and Susanna Roy”. Notes and Queries 69: 297–301.10.1093/notesj/gjac110Search in Google Scholar

Vander Motten, J. P. and Michiel Roscam Abbing. 2020. “Seventeenth-Century English Rope Dancers in the Low Countries”. Theatre Notebook 74: 8–31.Search in Google Scholar

Van Houcke, Carolus. 1645. De H[eylige] Nederlantsche Susanna, ofte Het Leven van de H. Princesse Genoveva Huys-vrauwe van den Doorluchtigsten Palatijn Sifridus. Ypre: de Lobel.Search in Google Scholar

Verzamelband Theater in Gent, 1600–1809. Universiteitsbibliotheek Gent. <https://lib.ugent.be/catalog/rug01:000817317> [accessed 23 April 2024].Search in Google Scholar

Vetterman, Gabi and Christian Fastle. 2023. “Scio, Familie”. Oesterreichisches Musiklexikon online. <https://dx.doi.org/10.1553/0x0001e216> [accessed 7 March 2024].Search in Google Scholar

Wouthers, Frans Antoon. 1664. De Heylige Genoveva ofte Herkende Onnooselheyt. Bley-eyndende Treurspel Vertoont op de Antwerpsche vertooghplaets den 21. April 1664. Antwerp: Godtgaf Verhulst.Search in Google Scholar

Wouthers, Frans Antoon. 1716. De Heylige Genoveva ofte Herstelde Onnooselheyt. Bly-eyndig Treur-spel ... Gelijck het selve voor de eerste mael vertoond is geweest op het Gentsche Speel Tonneel in den jaere 1716. Ghent: Meyer.Search in Google Scholar