Stage, Stake, & Scaffold. Humans and animals in Shakespeare’s theatre

Articles in the same Issue

1. Masthead
2. Translating iconoclasm: William Thomas’s The Perygrine and the Historie of Italie
3. ‘Metroglorification and diffuse urbanism’: Literarische repräsentationen des postkolonialen im palimpsestraum der ‘neuen’ metropolen
4. Adaptation for the postcolonial community: Jindabyne’s contested spaces
5. “Language is the only thing that lies”: linguistic scepticism in Rebecca Brown’s reinvention of literary minimalism
6. Transnationalization of ecocriticism
7. Foundations of pragmatics
8. Sprachlicher Ausbau: Konzeptionelle Studien zur spätmittelenglischen Schriftsprach
9. Testifying to language and life in early modern England, including a CD-Rom containing an electronic text edition of depositions 1560–1760 (ETED)
10. William Barnes’s dialect poems: a pronunciation guide
11. Magic and the supernatural in medieval English Romance
12. Fairies in medieval Romance
13. The Trojan Mirror: middle English Narratives of Troy as books of princely advice
14. The scientist as God: a typological study of a literary motif, 1818 to the present
15. Cornelia James Cannon and the future American Race
16. 10.1515/ang-2012-0514
17. Autobiography, ecology, and the well-placed self: the growth of natural biography in contemporary American life writing
18. Paradoxes of authenticity: studies on a critical concept
19. American cultural icons: the production of representative lives
20. Imagology revisited
21. The framing text in early modern drama: ‘Whining’ prologues and ‘Armed’ epilogues
22. Stage, Stake, & Scaffold. Humans and animals in Shakespeare’s theatre
23. Eingegangene Schriften