Article
Licensed
Unlicensed
Requires Authentication
Social context, language, and semiosis in Wole Soyinka
Published/Copyright:
June 3, 2008
Abstract
This article aims at showing that African drama relies on semiotic foundations to create a meaning that could have been censored. Examples from five of Wole Soyinka's plays will constitute a springboard towards tackling the semiotic issues relating to ‘language,’ ‘referentiality,’ and ‘kinesic signification.’ The semiotic reading of these works reveals that African drama, embodied in one of its most prolific playwrights, has used semiotics to enrich the dramatic language of theatre and the experience of audiences that counted mainly on the spoken word to create meaning.
Published Online: 2008-06-03
Published in Print: 2008-June
© 2008 by Walter de Gruyter GmbH & Co. KG, D-10785 Berlin
You are currently not able to access this content.
You are currently not able to access this content.
Articles in the same Issue
- Foreword
- Introduction: The concept of emergence in philosophical and semiotic context
- Conceptual knowledge as emergence
- Representation as emergence: Evoking and encoding past and history
- Emergence and reference in Whitehead's Process and Reality
- ‘The emergence of an organic form out of a fluid medium’: The dynamic concept of work of art in German Romanticism
- On a special case of meaning-emergence in the literary text: The function of semantic formations with ‘contradictory’ sense-orientation in the process of poetic meaning-evolution
- Did the gods go crazy? Emergence and symbols (a few laws in the symbolism of objects)
- Emergence as a phenomenon of cultural history and language
- Introduction: From linguistic semiotics to cultural semiotics: Semiotic and narrative studies in China
- Anxieties of modernity: A semiotic analysis of globalization images in China
- I Ching and the origin of the Chinese semiotic tradition
- Fictional narrative as history: Reflection and deflection
- The voice of ten years of history: A narrative-semiotic approach to the Eight Revolutionary Model Plays
- The narrative strategy of Chinese avant-garde novels: The case of Mo Yan
- Présentation
- Semiotic research in Morocco: An inventory
- Barthes ou Eco
- Semiotique de la reception et approche semantique du texte litteraire
- La dimension interprétante de l'expérience onirique dans la tradition onirocritique musulmane
- Social context, language, and semiosis in Wole Soyinka
- Le corps comme non-signe dans la tradition arabo-musulmane
Articles in the same Issue
- Foreword
- Introduction: The concept of emergence in philosophical and semiotic context
- Conceptual knowledge as emergence
- Representation as emergence: Evoking and encoding past and history
- Emergence and reference in Whitehead's Process and Reality
- ‘The emergence of an organic form out of a fluid medium’: The dynamic concept of work of art in German Romanticism
- On a special case of meaning-emergence in the literary text: The function of semantic formations with ‘contradictory’ sense-orientation in the process of poetic meaning-evolution
- Did the gods go crazy? Emergence and symbols (a few laws in the symbolism of objects)
- Emergence as a phenomenon of cultural history and language
- Introduction: From linguistic semiotics to cultural semiotics: Semiotic and narrative studies in China
- Anxieties of modernity: A semiotic analysis of globalization images in China
- I Ching and the origin of the Chinese semiotic tradition
- Fictional narrative as history: Reflection and deflection
- The voice of ten years of history: A narrative-semiotic approach to the Eight Revolutionary Model Plays
- The narrative strategy of Chinese avant-garde novels: The case of Mo Yan
- Présentation
- Semiotic research in Morocco: An inventory
- Barthes ou Eco
- Semiotique de la reception et approche semantique du texte litteraire
- La dimension interprétante de l'expérience onirique dans la tradition onirocritique musulmane
- Social context, language, and semiosis in Wole Soyinka
- Le corps comme non-signe dans la tradition arabo-musulmane