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  • Ric Knowles

    His research interests include intercultural performance, materialist theory, contemporary Canadian theatre, and Shakespeare in performance. His publications include The Theatre of Form and the Production of Meaning (1999); Shakespeare and Canada (2004); and Reading the Material Theatre (2004).

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Published/Copyright: March 10, 2008
Semiotica
From the journal Volume 2008 Issue 168

Published Online: 2008-03-10
Published in Print: 2008-01-01

© Walter de Gruyter

Articles in the same Issue

  1. Introduction Theatrical semiosphere: Toward the semiotics of theatre today
  2. Semiotic arts of theatre
  3. Prague's experimental stage: Laboratory of theatre and semiotics
  4. A historical outlook on theatrical ostension and its links with other terms of the semiotics of drama and theatre
  5. Semiotics of nonsemiotic performance
  6. The end of theatre semiotics? A symptom of an epistemological shift
  7. Intercultural theory, postcolonial theory, and semiotics: The road not (yet) taken
  8. Dreams and phantasms: Towards an ethnoscenological reading of the intercultural theatrical event
  9. The homogeneous nature of the theatre medium
  10. The semiotics of curtain calls
  11. Actor-puppet-video projection-spectator-fantasmagorie technologique: Towards a theory for a new theatre genre
  12. Vital signs
  13. Présentation
  14. Paul Ricœur, habitant de ce monde. Les affleurements de la conception peircienne de l'objet du signe et du pragmatisme
  15. Ricœur and Saussure: On meaning and time
  16. Discernements et malentendus
  17. Sémiotique et herméneutique : Le texte et l'action
  18. Ricœur et la sémiotique : Une rencontre « improbable » ?
  19. Le parcours du sens : Ricœur et Benveniste
  20. De la narration à l'action : Inversion du cheminement mimétique ricœurien
  21. La philosophie face à l'univers des signes : Positions et propositions de Paul Ricœur sur la sémiotique et la sémiologie
https://doi.org/10.1515/SEM.2008.012

Articles in the same Issue

  1. Introduction Theatrical semiosphere: Toward the semiotics of theatre today
  2. Semiotic arts of theatre
  3. Prague's experimental stage: Laboratory of theatre and semiotics
  4. A historical outlook on theatrical ostension and its links with other terms of the semiotics of drama and theatre
  5. Semiotics of nonsemiotic performance
  6. The end of theatre semiotics? A symptom of an epistemological shift
  7. Intercultural theory, postcolonial theory, and semiotics: The road not (yet) taken
  8. Dreams and phantasms: Towards an ethnoscenological reading of the intercultural theatrical event
  9. The homogeneous nature of the theatre medium
  10. The semiotics of curtain calls
  11. Actor-puppet-video projection-spectator-fantasmagorie technologique: Towards a theory for a new theatre genre
  12. Vital signs
  13. Présentation
  14. Paul Ricœur, habitant de ce monde. Les affleurements de la conception peircienne de l'objet du signe et du pragmatisme
  15. Ricœur and Saussure: On meaning and time
  16. Discernements et malentendus
  17. Sémiotique et herméneutique : Le texte et l'action
  18. Ricœur et la sémiotique : Une rencontre « improbable » ?
  19. Le parcours du sens : Ricœur et Benveniste
  20. De la narration à l'action : Inversion du cheminement mimétique ricœurien
  21. La philosophie face à l'univers des signes : Positions et propositions de Paul Ricœur sur la sémiotique et la sémiologie
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