Home Reflections on semiotics, visual culture, and pedagogy
Article
Licensed
Unlicensed Requires Authentication

Reflections on semiotics, visual culture, and pedagogy

  • Deborah L Smith-Shank

    Deborah Smith-Shank (b. 1950). Her research interests are visual culture, feminism, art education, and liberatory pedagogy. Her publications include ‘The Sheela-Na-Gig: A postmodern medieval mystery’ (2003); ‘The semiotics of community celebrations’ (2003); Semiotics and Visual Culture: Sights, Signs, and Significance (2004); and ‘Gender, creativity, and genius’ (2006).

    EMAIL logo
Published/Copyright: April 16, 2007
Semiotica
From the journal Volume 2007 Issue 164

Abstract

Art education is reluctantly but steadily shifting from a modernist disciplinebased field towards a more interdisciplinary and semiotic approach to visual culture studies. This interdisciplinary approach to our field connects directly with Peirce's ideas on pragmatism, plays of musement, and especially his notion of the importance of a community of inquiry. This paper will consider the ideas of Charles Sanders Peirce and his followers as they relate to contemporary art education. Semiotics, with its emphasis on codes, signs, and their interactions, is especially appropriate for rethinking the learning and teaching processes in art, as well as parameters which may constrain learning in the art education field.

About the author

Deborah L Smith-Shank

Deborah Smith-Shank (b. 1950). Her research interests are visual culture, feminism, art education, and liberatory pedagogy. Her publications include ‘The Sheela-Na-Gig: A postmodern medieval mystery’ (2003); ‘The semiotics of community celebrations’ (2003); Semiotics and Visual Culture: Sights, Signs, and Significance (2004); and ‘Gender, creativity, and genius’ (2006).

Published Online: 2007-04-16
Published in Print: 2007-04-19

© Walter de Gruyter

Downloaded on 18.11.2025 from https://www.degruyterbrill.com/document/doi/10.1515/SEM.2007.027/pdf
Scroll to top button