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Dramaturgy, humor, and criticism: How Goffman reveals Seinfeld's critique of American culture
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Paul Paolucci
and
Margaret Richardson
Published/Copyright:
May 2, 2006
Abstract
Both Goffman's dramaturgical paradigm and the humor of the television program Seinfeld often have been interpreted as being non-political and non-critical in intent. In its use of recurring characters, social archetypes, and commentary on societal rules, the program often uses dramaturgical conceptual categories such as impression management, regional behavior, and teams. By bringing a dramaturgical interpretation to Seinfeld, the program's hidden critique of the rules and ethos dominating modern American society is revealed.
Published Online: 2006-05-02
Published in Print: 2006-02-20
© Walter de Gruyter
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- Dramaturgy, humor, and criticism: How Goffman reveals Seinfeld's critique of American culture
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Articles in the same Issue
- Humor appreciation as an adaptive esthetic emotion
- Dramaturgy, humor, and criticism: How Goffman reveals Seinfeld's critique of American culture
- Comedy theory and the postmodern
- “One of the last vestiges of gender bias”: The characterization of women through the telling of dirty jokes in Ally McBeal
- Book reviews
