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Reciting Shells. Dada and, Dada in & Dadaists on the First World War
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Geert Buelens
Published/Copyright:
October 24, 2007
Abstract
Dada's origin is generally associated with the protest movement against the First World War, yet scholarship on this issue is relatively thin. An examination of a few key Dada figures (Tzara, Ball, Huelsen- beck, Arp) and some artists that have been associated with the movement (Van Doesburg, Feis, Van Ostaijen, Vaché) indicates that the Dadaists were by no means pacifists, though they were alarmed and disgusted by the Great War. Whether they asked for a real, political (communist) revolution or an artistic-spiritual one, their rhetoric and iconography were heavily drenched in violence.
Published Online: 2007-10-24
Published in Print: 2006-12-19
© Walter de Gruyter
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- Rezensionen
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Articles in the same Issue
- The Avant-Garde and Modern Sovereignty. By Way of Introduction
- Militant Politics and Avant-garde Performance Art in the Early Futurist Movement
- “You Feed Us So that We Can Fight Against You”. Concepts of the Art and State in the Hungarian Avant-Garde
- Reciting Shells. Dada and, Dada in & Dadaists on the First World War
- Dada as Politics
- L'avant-garde littéraire roumaine et la politique
- Mapping Old Traces of the New. Towards a Historical Topography of Early Twentieth-Century Avant-Garde(s) in the European Cultural Field(s)
- Wiener Gruppe und Transfurismus. Zwei Beispiele für die literaturgeschichtliche Weiterwirkung der historischen Avantgarden im deutschen und russischen Sprachraum
- Schwebe der Körper, Stammeln der Sprache. Strategien literarischer und sexueller Subversion bei Julia Kristeva und Gilles Deleuze
- How to Do Things With Poems Performativity in the Poetry of C.P. Cavafy
- Regarding Paintings. Works of El Greco in Simon Vestdijk's Het vijfde zegel
- Istanbul, 1945 Erich Auerbach's Philology of Extremity
- Rezensionen
- Inhalt des 41. Bandes (2006)
