Chapter Eight: Sound and Vision: The Artistry of Margaret Leng Tan and Evans Chan in Sorceress of the New Piano, Makrokosmos I & II, and The Maverick Piano

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Contributors ix
4. Illustrations xi
5. Acknowledgments xiii
6. Chapter One: Introduction to the Work of Evans Chan 1
7. Chapter Two: The Film Essay and Political Discourse in Evans Chan’s To Liv(e) 11
8. Chapter Three: Crossings: A Transnational Cinematic Text 27
9. Chapter Four: Homelessness and Self-Disclosure: Evans Chan’s “Minor” Cinema 35
10. Chapter Five: “Absurd Connections,” or Cosmopolitan Conviviality in The Map of Sex and Love 41
11. Chapter Six: Issues of Decolonization: Two Essay Documentaries by Evans Chan 57
12. Chapter Seven: Brecht in Hong Kong: Evans Chan’s The Life and Times of Wu Zhong Xian 81
13. Chapter Eight: Sound and Vision: The Artistry of Margaret Leng Tan and Evans Chan in Sorceress of the New Piano, Makrokosmos I & II, and The Maverick Piano 101
14. Chapter Nine: Global Aches: Teaching Evans Chan’s Bauhinia 121
15. Chapter Ten: An Interview with Evans Chan 137
16. Filmography 157
17. Selected Bibliography 163
18. Index 165