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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Notes on Contributors xi
- List of Figures xv
- Acknowledgements xix
- Introduction 1
-
I Essays
- 1 Southeast Asian Independent Cinema 13
- 2 Imagined Communities, Imagined Worlds 21
- 3 Hinterland, Heartland, Home 33
- 4 Stealing Moments 51
- 5 Fiction, Interrupted 59
- 6 Cinema, Sexuality and Censorship in Post-Soeharto Indonesia 69
- 7 Independent versus Mainstream Islamic Cinema in Indonesia 89
- 8 Observational Documentary Comes to Indonesia 105
-
II Documents
- 9 Four Manifestos 119
- 10 Why Ciplak ended up being made 125
- 11 Singapore GaGa Tours Singapore 131
- 12 The Downside of Digital 141
- 13 I Sinema Manifesto 151
-
III Interviews
- 14 “An inexpensive film should start with an inexpensive story” 155
- 15 “Digital is liberation theology” 171
- 16 “I make films for myself ” 179
- 17 “I love making films, but not getting films made” 191
- 18 “I want the people of Indonesia to see a different point of view, whether they agree with it or not” 201
- 19 “I do not have anything against commercial films” 213
- 20 The Page and the (Video) Camera 227
- 21 “I want you to forget about the race of the protagonists half an hour into the film” 245
- Notes 253
- Bibliography 263
- Index 271
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Notes on Contributors xi
- List of Figures xv
- Acknowledgements xix
- Introduction 1
-
I Essays
- 1 Southeast Asian Independent Cinema 13
- 2 Imagined Communities, Imagined Worlds 21
- 3 Hinterland, Heartland, Home 33
- 4 Stealing Moments 51
- 5 Fiction, Interrupted 59
- 6 Cinema, Sexuality and Censorship in Post-Soeharto Indonesia 69
- 7 Independent versus Mainstream Islamic Cinema in Indonesia 89
- 8 Observational Documentary Comes to Indonesia 105
-
II Documents
- 9 Four Manifestos 119
- 10 Why Ciplak ended up being made 125
- 11 Singapore GaGa Tours Singapore 131
- 12 The Downside of Digital 141
- 13 I Sinema Manifesto 151
-
III Interviews
- 14 “An inexpensive film should start with an inexpensive story” 155
- 15 “Digital is liberation theology” 171
- 16 “I make films for myself ” 179
- 17 “I love making films, but not getting films made” 191
- 18 “I want the people of Indonesia to see a different point of view, whether they agree with it or not” 201
- 19 “I do not have anything against commercial films” 213
- 20 The Page and the (Video) Camera 227
- 21 “I want you to forget about the race of the protagonists half an hour into the film” 245
- Notes 253
- Bibliography 263
- Index 271