Kapitel in diesem Buch

1. Frontmatter 1
2. Table of Contents 5
3. Editorial 7
4. Acknowledgments 9
5. PART I Questions Concerning Technics
6. 1. Technics: An Introduction 11
7. 2. Ten Statements on Technics 25
8. PART II Philosophies of Technology
9. 3. Machine Aesthetics: Animation through Technology, Animation of Technology 59
10. 4. “New Stars Were Rising in the Sky” : On Benjamin’s Concept of Cosmic Experience and Technology around 1930 79
11. 5. Instructions for Use : Thinking Body, Machine, and Technicity with Simondon 103
12. 6. Knowing, Studying, Writing : A Conversation on History, Practice, and Other Doings with Technics 125
13. PART III Theories of Media
14. 7. Protective Media 151
15. Francesco Casetti 151
16. 8. Carried Away: The Carrier Bag Theory of Media 169
17. 9. Beyond Access: Transforming Ableist Techno-Worlds 187
18. PART IV Archaeologies of Media
19. 10. Coming to Terms with the “Smart” Phone 199
20. 11. The Afterlife of an Optical Device, or Making the Lantern Kosher 221
21. PART V Filmic Techniques
22. 12. Theories of the Frame and Framing in Cinema: A Genealogy 239
23. 13. Split Screens : A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew 263
24. 14. Specks of Time : Digital Editing and Verse Jumping in Everything Everywhere All at Once 277
25. PART VI Digital Humanities
26. 15. Streams, Portals, and Data Flows: Digital Infrastructures of Film Studies 293
27. 16. Six Memos for the New Millennium : A Dialogue with Andreas Fickers on Epistemic Virtues in the Digital Humanities 313