Chapter
Open Access
Introduction
-
Tracy E. Cooper
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- List of Illustrations 7
- Introduction 15
- 1. La Serenissima in Context: Women Artists in Venice and Beyond 21
- 2. The Taiapiera in Fourteenth-Century Venice: What’s in a Name? 41
- 3. In Search of Marietta Tintoretta 55
- 4. The “Vite” of Women Artists in Venice (Sixteenth to Eighteenth Century) 93
- 5. Artists and Artisans in the Account Books of Marino Grimani, Patrician and Doge of Venice (Late Sixteenth–Early Seventeenth Centuries) 111
- 6. Chiara Varotari (1584/1585–after 1663) 137
- 7. Artemisia Gentileschi in Venice: Facts and Suppositions 153
- 8. Giovanna Garzoni and Venetian Witchcraft: Still Lifes as Natural Enchantments 173
- 9. Caterina Tarabotti Unveiled 197
- 10. Shining a Light on Giulia Lama’s Painting Practice in the San Marziale Four Evangelists 213
- 11. Rosalba Carriera Unframed 235
- General Bibliography 257
- Index 285
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- List of Illustrations 7
- Introduction 15
- 1. La Serenissima in Context: Women Artists in Venice and Beyond 21
- 2. The Taiapiera in Fourteenth-Century Venice: What’s in a Name? 41
- 3. In Search of Marietta Tintoretta 55
- 4. The “Vite” of Women Artists in Venice (Sixteenth to Eighteenth Century) 93
- 5. Artists and Artisans in the Account Books of Marino Grimani, Patrician and Doge of Venice (Late Sixteenth–Early Seventeenth Centuries) 111
- 6. Chiara Varotari (1584/1585–after 1663) 137
- 7. Artemisia Gentileschi in Venice: Facts and Suppositions 153
- 8. Giovanna Garzoni and Venetian Witchcraft: Still Lifes as Natural Enchantments 173
- 9. Caterina Tarabotti Unveiled 197
- 10. Shining a Light on Giulia Lama’s Painting Practice in the San Marziale Four Evangelists 213
- 11. Rosalba Carriera Unframed 235
- General Bibliography 257
- Index 285