Kapitel in diesem Buch

1. Frontmatter 1
2. Table of Contents 5
3. List of Illustrations 7
4. Introduction 9
5. Genealogies
6. 1. The Soil and the Scar 27
7. 2. Video Relics. Hu Jie and the Official Style 49
8. Ethics and Aesthetics
9. 3. Hu Bo’s Ethics of Realism 73
10. 4. The Filmmaker as Feminist 95
11. 5. Of Found Objects and Projected Things. The Relational Field in Wang Bing’s West of the Tracks and Ma Li’s 119
12. Beside the Screen: Independent Cinema as Social Practice
13. 6. In Dependence and in Relation. A Relational Sociological Approach to Chinese Independent Cinema 143
14. 7. Distribution and Exhibition of Independent Film in China. Informal Infrastructure and Its Affordances 165
15. 8. Mediating the New Alternative Film Culture. An Ethnographic Study of Post-Independent Exhibition Practices Since 2017 189
16. 9. Three Modes of Independent Creative Documentary Production and the Rise of the Industrial Mode 211
17. Community and Engagement
18. 10. Cinematic Fabulation. Trans Representation in Miss Jin Xing 239
19. 11. Village Film and Place-Based Film Archive. Towards an Ecological and Archival Chinese Independent Documentary 261
20. 12. The Ethic of Collaboration. Rethinking Chinese Independent Cinema’s Engagement with Grassroots Creativity 285
21. Index 305