Kapitel in diesem Buch

1. Frontmatter 1
2. Table of Contents 5
3. Introduction : Please Check the Signal: Screening the Gothic in the Upside Down 7
4. Part I Gothic Places
5. 1. Unsettled Waters: The Postcolonial Gothic of Tidelands 21
6. 2. ‘When I Died, I Saw the Whole World’ : Uncanny Space and the Māori Gothic in the Aftermath Narratives of Waru and Māui’s Hook 45
7. 3. The Kettering Incident: From Tasmanian Gothic to Antarctic Gothic 61
8. 4. ‘Going Home is One Thing This Lot of Blockheads Can’t Do’ : Unhomely Renovations on The Block 79
9. Part II Gothic Genres
10. 5. Glocalizing the Gothic in Twenty-First Century Australian Horror 99
11. 6. Terra Somnambulism : Sleepwalking, Nightdreams, and Nocturnal Wanderings in the Televisual Australian Gothic 123
12. 7. Gothic Explorations of Landscapes, Spaces, and Bodies in Jane Campion’s Top of the Lake and Top of the Lake: China Girl 141
13. 8. At the End of the World : Animals, Extinction, and Death in Australian Twenty-First-Century Ecogothic Cinema 159
14. Part III Gothic Monsters
15. 9. Dead, and Into the World : Localness, Culture, and Domesticity in New Zealand’s What We Do in the Shadows 179
16. 10. Mapping Settler Gothic : Noir and the Shameful Histories of the Pākehā Middle Class in The Bad Seed 195
17. 11. Monstrous Victims : Women, Trauma, and Gothic Violence in Jennifer Kent’s The Babadook and The Nightingale 213
18. 12. From ‘Fixer’ to ‘Freak’: Disabling the Ambitious (Mad)Woman in Wentworth 229
19. Index 251