Chapter
Licensed
Unlicensed
Requires Authentication
Acknowledgments
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter 1
- Table of Contents 7
- Acknowledgments 9
- Introduction 11
- 1. 35 Years On: Is the ‘Text’, Once Again, Unattainable? 33
- 2. To Attain the Text. But Which Text? 49
- 3. Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative 75
- 4. ‘Every love story is a ghost story’ : The Spectral Network of Laurie Anderson’s Heart of a Dog (2015) 95
- 5. Lines of Interpretation in Fields of Perception and Remembrance : The Multiscreen Array as Essay 111
- 6. Deborah Stratman’s The Illinois Parables (2016) : Intellectual Vagabond and Vagabond Matter 121
- 7. Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button 141
- 8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay 165
- 9. ‘All I have to offer is myself’: The Film-Maker as Narrator 189
- 10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking 199
- 11. The Home Movie as Essay Film: On Making Memory Posthumously 215
- Index 241
Chapters in this book
- Frontmatter 1
- Table of Contents 7
- Acknowledgments 9
- Introduction 11
- 1. 35 Years On: Is the ‘Text’, Once Again, Unattainable? 33
- 2. To Attain the Text. But Which Text? 49
- 3. Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative 75
- 4. ‘Every love story is a ghost story’ : The Spectral Network of Laurie Anderson’s Heart of a Dog (2015) 95
- 5. Lines of Interpretation in Fields of Perception and Remembrance : The Multiscreen Array as Essay 111
- 6. Deborah Stratman’s The Illinois Parables (2016) : Intellectual Vagabond and Vagabond Matter 121
- 7. Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button 141
- 8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay 165
- 9. ‘All I have to offer is myself’: The Film-Maker as Narrator 189
- 10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking 199
- 11. The Home Movie as Essay Film: On Making Memory Posthumously 215
- Index 241