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2 Objects in Time
Artefacts in Artists’ Moving Image
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Alison Butler
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Chapters in this book
- Frontmatter 1
- Table of Contents 7
- List of Illustrations 9
- Acknowledgments 13
- Foreword: Courtesy of the Artists 15
- Introduction: On Cinema Expanding 33
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Part One Materialities
- 1 Cinema as (In)Visible Object 49
- 2 Objects in Time 69
- 3 Materializing the Body of the Actor 83
- 4 How to Spell ‘Film’ 101
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Part Two Immaterialities
- 5 The Magic of Shadows 123
- 6 Douglas Gordon and the Gallery of the Mind 143
- 7 A Throw of the Dice Will Never Abolish Chance 157
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Part Three Temporalities
- 8 The Photo-Filmic Diorama 175
- 9 The Cinematic Dispositif and Its Ghost 195
- 10 Time/Frame: On Cinematic Duration 213
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Part Four The Futures of the Image
- 11 Interactivity without Control 231
- 12 Post-Cinematic Unframing 255
- 13 Absolute Immanence 277
- Index 293
Chapters in this book
- Frontmatter 1
- Table of Contents 7
- List of Illustrations 9
- Acknowledgments 13
- Foreword: Courtesy of the Artists 15
- Introduction: On Cinema Expanding 33
-
Part One Materialities
- 1 Cinema as (In)Visible Object 49
- 2 Objects in Time 69
- 3 Materializing the Body of the Actor 83
- 4 How to Spell ‘Film’ 101
-
Part Two Immaterialities
- 5 The Magic of Shadows 123
- 6 Douglas Gordon and the Gallery of the Mind 143
- 7 A Throw of the Dice Will Never Abolish Chance 157
-
Part Three Temporalities
- 8 The Photo-Filmic Diorama 175
- 9 The Cinematic Dispositif and Its Ghost 195
- 10 Time/Frame: On Cinematic Duration 213
-
Part Four The Futures of the Image
- 11 Interactivity without Control 231
- 12 Post-Cinematic Unframing 255
- 13 Absolute Immanence 277
- Index 293