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12. The ‘Vault Films’
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Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of Figures 7
- Acknowledgments 11
- Introduction: Once upon a (Central European) Time 13
-
I: (Film) History
- 1. Barrandov and Its Founder, Miloš Havel 43
- 2. The Concept of Regional Poetics of Cinema 67
- 3. Barrandov’s First Fifteen Years 105
-
II: Production History
- 4. Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s 131
- 5. Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons 169
- 6. Ambitious ‘Alien’ Beats Perestroika 193
-
III: Individual Directors
- 7. A Documentarian between Genres 219
- 8. The Loves of a System: Miloš Forman and Barrandov 251
- 9. Barrandov and Chytilová 271
- 10. Barrandov Baroque: The Tenacious Artistry of Juraj Herz 297
- 11. Václav Vorlíček: A Dream within a Dream 317
- 12. The ‘Vault Films’ 339
- Index 361
Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of Figures 7
- Acknowledgments 11
- Introduction: Once upon a (Central European) Time 13
-
I: (Film) History
- 1. Barrandov and Its Founder, Miloš Havel 43
- 2. The Concept of Regional Poetics of Cinema 67
- 3. Barrandov’s First Fifteen Years 105
-
II: Production History
- 4. Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s 131
- 5. Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons 169
- 6. Ambitious ‘Alien’ Beats Perestroika 193
-
III: Individual Directors
- 7. A Documentarian between Genres 219
- 8. The Loves of a System: Miloš Forman and Barrandov 251
- 9. Barrandov and Chytilová 271
- 10. Barrandov Baroque: The Tenacious Artistry of Juraj Herz 297
- 11. Václav Vorlíček: A Dream within a Dream 317
- 12. The ‘Vault Films’ 339
- Index 361