Kapitel in diesem Buch

1. Frontmatter 1
2. Table of Contents 7
3. Acknowledgments 9
4. Note on References and Images 11
5. 1. Brainhood and the Cinema
6. Introduction 13
7. The “Deficit Model” and the Agency of Film 16
8. Bs to Zs 21
9. Filmic Brains in the Neurobiological Age 25
10. 2. Brains in the Pulps
11. Introduction 35
12. Resources 37
13. Scientifiction, Textual and Visual 39
14. Advertisement and “Prophetic Insight” 42
15. Before Gernsback 45
16. Weird Tales 48
17. Stories Astounding and Amazing 55
18. 3. Naked Brains and Living Heads
19. Introduction 87
20. Brain Movies 93
21. Body Parts 100
22. The Donor Portion 104
23. Living Heads 111
24. Some Filmic Allografts 115
25. Paradox of the Naked Brain 118
26. 4. Personal Survival
27. Introduction 127
28. Immortality and the Brain 131
29. Adam and Tithonus 132
30. Staying the Same, Becoming Someone Else 137
31. 5. Frankenstein’s Brains
32. Introduction 155
33. Shelley’s Novel and Frankenstein Films 157
34. The Final Touch: Frankenstein (1931) 159
35. The Universal Series 165
36. The Hammer Series 167
37. Beyond Universal and Hammer 171
38. 6. Memories, Lost and Regained
39. Introduction 179
40. A Preference for Retrograde Amnesia 182
41. Localizing Memory in the Filmic Brain 187
42. Personal Identity and the Authenticity of Memory 189
43. Erasing Memories 193
44. Eternal Sunshine of the Spotless Mind (2004) 197
45. Dark City (1998) 206
46. 7. “Imagine, They Are in the Human Mind” 219
47. Bibliography 227
48. Films 249
49. Index 255