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Shi-Yan Chao
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Chapters in this book
- Frontmatter 1
- Table of Contents 5
- List of Figures 7
- Acknowledgements 9
- Introduction: Processing Tongzhi/Queer Imaginaries 13
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Section I. Against Families, Against States
- 1. The Chinese Queer Diasporic Imaginary 39
- 2. Two Stage Sisters: Comrades, Almost a Love Story 99
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Section II. Camp Aesthetics
- 3. Mass Camp in Contemporary Hong Kong Cinema 143
- 4. Toward an Aesthetic of Tongzhi Camp 199
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Section III. Documentary Impulse
- 5. Coming Out of The Box, Lalas with DV Cameras 247
- 6. Performing Gender, Performing Documentary in Postsocialist China 273
- Conclusion 301
- Chinese Glossary 307
- Bilingual Filmography 323
- Bibliography 333
- Index 403
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Chapters in this book
- Frontmatter 1
- Table of Contents 5
- List of Figures 7
- Acknowledgements 9
- Introduction: Processing Tongzhi/Queer Imaginaries 13
-
Section I. Against Families, Against States
- 1. The Chinese Queer Diasporic Imaginary 39
- 2. Two Stage Sisters: Comrades, Almost a Love Story 99
-
Section II. Camp Aesthetics
- 3. Mass Camp in Contemporary Hong Kong Cinema 143
- 4. Toward an Aesthetic of Tongzhi Camp 199
-
Section III. Documentary Impulse
- 5. Coming Out of The Box, Lalas with DV Cameras 247
- 6. Performing Gender, Performing Documentary in Postsocialist China 273
- Conclusion 301
- Chinese Glossary 307
- Bilingual Filmography 323
- Bibliography 333
- Index 403