Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 7
3. Acknowledgements 9
4. Introduction 11
5. 1. Rembrandt and Frans Hals Painting in the Workshop of Hendrick Uylenburgh 17
6. 2. Rembrandt and the Germanic Style 44
7. 3. Rembrandt and the Humanist Ideal of the Universal Painter 67
8. 4. Curiosity and Desire: Rembrandt’s Collection as Historiographic Barometer 99
9. 5. Painted Landscapes by Lievens and Rembrandt : The View from Seventeenth-Century Amsterdam Collections 122
10. 6. Jan Lievens in Antwerp: Three Rediscovered Works 151
11. 7. Gerrit Dou as a Pupil of Rembrandt 169
12. 8. A New Painting by Jan van Noordt in Budapest 189
13. 9. Rembrandt’s First Nude? The Recent Analysis of Susanna and the Elders from Rembrandt’s Workshop 197
14. 10. Rembrandt’s Head of Christ: Some Technical Observations concerning Matters of Style 216
15. 11. A Rediscovered Head of John the Baptist on a Platter from Rembrandt’s Studio 223
16. 12. Rembrandt’s One Guilder Print: Value and Invention in ‘the most beautiful [print] that ever came from the burin of this Master’ 230
17. 13. Rembrandt, Ferdinand Bol, and Tobit: The Emergence of a Pathosträger 252
18. 14. Biblical Iconography in the Graphic Work of Rembrandt’s Circle 268
19. 15. Jan van Vliet and Rembrandt van Rijn: Their Collaboration Reassessed 285
20. 16. Printmaking among Artists of the Rembrandt School 305
21. 17. Chain Line Pattern Matching and Rembrandt’s Prints 319
22. List of Illustrations 335
23. Bibliography 347
24. Index Nominum 375