Presented to you through Paradigm Publishing Services
Amsterdam University Press
Book
Open Access
Screens
-
Edited by:
and
Language:
English
Published/Copyright:
2016
About this book
Brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today.
Author / Editor information
Chateau Dominique :
Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.Moure José :
José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE.
Reviews
'In 1922 Élie Faure defined the screen as a simple "material accessory". This book reverses that dismissal, devoting to the screen the attention that it deserves. Thanks to a philosophical, historical and phenomenological exploration, it casts new light on what cinema was and is, and on the multifaceted terrain in which it operates' - Prof. dr. Francesco Casetti, Yale University
'Everything you wanted to know about screens, you will find in Chateau and Moure's thorough and extensive anthology, which counts on the research of a broad collection of international experts. Examining the screen from every direction, in the midst of traditional boundaries falling apart, the volume offers a unique, scholarly perspective that takes the materiality of media (and screens) into account. Well seized, considering these questions are now at the forefront of research within our academic community!' - Prof. dr. André Gaudreault, Canada Research Chair in Cinema and Media Studies, Université de Montréal.
'Everything you wanted to know about screens, you will find in Chateau and Moure's thorough and extensive anthology, which counts on the research of a broad collection of international experts. Examining the screen from every direction, in the midst of traditional boundaries falling apart, the volume offers a unique, scholarly perspective that takes the materiality of media (and screens) into account. Well seized, considering these questions are now at the forefront of research within our academic community!' - Prof. dr. André Gaudreault, Canada Research Chair in Cinema and Media Studies, Université de Montréal.
Topics
-
Download PDFOpen Access
Frontmatter
1 -
Download PDFOpen Access
Contents
5 -
Download PDFOpen Access
Editorial
9 -
Download PDFOpen Access
Acknowledgments
11 -
Download PDFOpen Access
Introduction: Screen, a Concept in Progress
13 - PART I: Archeology and History
-
Download PDFOpen Access
Rectangle-Film [25x19] (1918)
25 -
Download PDFOpen Access
Intersections between Showing and Concealment in the History of the Concept of Screen
29 -
Download PDFOpen Access
Archaic Paradigms of the Screen and Its Images
42 -
Download PDFOpen Access
Thematizing the “Arche-Screen” through Its Variations
62 -
Download PDFOpen Access
The Stuff of Screens
70 - PART II: Technology and New Practices
-
Download PDFOpen Access
Scaling Down: Cinerama on Blu-ray
82 -
Download PDFOpen Access
The Disappearance of the Surface
97 -
Download PDFOpen Access
GoPro: Augmented Bodies, Somatic Images
107 -
Download PDFOpen Access
The Four Practices? Challenges for an Archaeology of the Screen
116 -
Download PDFOpen Access
Screens in the City
125 - PART III: Theory
-
Download PDFOpen Access
The Screenic Image: Between Verticality and Horizontality, Viewing and Touching, Displaying and Playing
143 -
Download PDFOpen Access
From Screen-Scape to Screen-Sphere: A Meditation in Medias Res
157 -
Download PDFOpen Access
The Concept of the Mental Screen: The Internalized Screen, the Dream Screen, and the Constructed Screen
176 -
Download PDFOpen Access
Between Fascination and Denial: The Power of the Screen
186 - PART IV: Intermediality
-
Download PDFOpen Access
Screens after Dos Passos’s U.S.A. Trilogy: Current Answers for the Eyeminded Public
203 -
Download PDFOpen Access
El Lissitzky’s Screening Rooms
223 -
Download PDFOpen Access
But Who Actually Watched Mark Lewis’s Films at the Louvre?
236 - PART V: Dialogues
-
Download PDFOpen Access
Gulliver Goes to the Movies: Screen Size, Scale, and Experiential Impact – A Dialogue
247 -
Download PDFOpen Access
The Skin and the Screen – A Dialogue
258 -
Download PDFOpen Access
The Screen and the Concept of Dispositif – A Dialogue
264 -
Download PDFOpen Access
Notes
273 -
Download PDFOpen Access
General Bibliography
321 -
Download PDFOpen Access
Notes on Contributors
344 -
Download PDFOpen Access
Index of Names
350 -
Download PDFOpen Access
Index of Film Titles
356
Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 14, 2019
eBook ISBN:
9789048531691
Pages and Images/Illustrations in book
Main content:
358
Illustrations:
36
eBook ISBN:
9789048531691
Audience(s) for this book
Professional and scholarly;
Creative Commons
BY-NC-ND 4.0