Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 5
3. Introduction 9
4. Part I. Media Cities
5. Chapter One. Mediacity: On the Discontinuous Continuity of the Urban Public Sphere 19
6. Chapter Two. Orkontros: Brazilian Migrants, Social Network Sites and the European City 37
7. Chapter Three. Imagining the City: The Difference that Art Makes 51
8. Chapter Four. Body Movies: The City as Interface 62
9. Part II. The Ludic Turn
10. Chapter Five. Homo Ludens 2.0: Play, Media and Identity 75
11. Chapter Six. Digital Cartographies as Playful Practices 93
12. Chapter Seven. From Gengsi to Gaul: Mobile Media and Playful Identities in Jakarta 101
13. Chapter Eight. Transformations in Perception and Participation: Digital Games 110
14. Chapter Nine. Machinima: Moving on the Edge of Rules and Fiction 128
15. Part III. Thinking Analogue
16. Chapter Ten. Sound Technologies and Cultural Practices: How Analogies Make us Listen to Transformations in Art and Culture 139
17. Chapter Eleven. The Case of ccMixter: Credit-Giving within a Communal Online Remixing Practice 155
18. Part IV. Hybrid Practices
19. Chapter Twelve. On the Need for Cooperation between Art and Science 169
20. Chapter Thirteen. Laboratory on the Move in Retrospect 175
21. Chapter Fourteen. Embedded in the Dutch Art World 187
22. Chapter Fifteen. Roots and the Production of Heritage 206
23. Chapter Sixteen. How to Succeed in Art and Science: The Observatory Observed 214
24. Part V. Looking Back, Looking Forward
25. Introduction 227
26. Interview with José van Dijck and Robert Zwijnenberg 228
27. About the Authors 245