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3. From Leitkultur to Leightkultur
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Nana Adusei-Poku
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Chapters in this book
- Frontmatter 1
- Bibliographic information published by the Deutsche Nationalbibliothek 4
- Contents 5
- Acknowledgement 7
- I. Introduction 9
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II. Destabilizing Meaning
- 1. The Textures of History 41
- 2. What is the script of your time? 42
- 3. Economies of the Double-bind 59
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III. Historical Entanglements of Black Revolutionary Women
- 1. De-Interpellating Interpellation—Visual Disobediences 89
- 2. How do I look? (Very good, I must say I am amazed!) 92
- 3. O my Body, will always remain in question!— Reviewing the Fanonian Moment 104
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IV. Heterotemporality as a Way of Understanding the Contemporary
- 1. Reclaiming our time 113
- 2. Riffs on Real Time and the present that is fleeting though captured 116
- 3. Rewind Selecta 123
- 4. Hetero-temporality 125
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V. Paradox Synchronicities
- 1. Contextualization 129
- 2. IWHISHIWAS or WISHIWASHI ? 134
- 3. From Leitkultur to Leightkultur 143
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VI. Abstract Facts
- 1. Enter and Exit the New Negro 155
- 2. Enter and Exit the New Negro—From Invisible Visibilities 160
- 3. Enter the New Negro 165
- 4. Ambiguity as Chance—Abstraction as Means of Identity 169
- VII. Post-Post-black 183
- VIII. Bibliography 193
Chapters in this book
- Frontmatter 1
- Bibliographic information published by the Deutsche Nationalbibliothek 4
- Contents 5
- Acknowledgement 7
- I. Introduction 9
-
II. Destabilizing Meaning
- 1. The Textures of History 41
- 2. What is the script of your time? 42
- 3. Economies of the Double-bind 59
-
III. Historical Entanglements of Black Revolutionary Women
- 1. De-Interpellating Interpellation—Visual Disobediences 89
- 2. How do I look? (Very good, I must say I am amazed!) 92
- 3. O my Body, will always remain in question!— Reviewing the Fanonian Moment 104
-
IV. Heterotemporality as a Way of Understanding the Contemporary
- 1. Reclaiming our time 113
- 2. Riffs on Real Time and the present that is fleeting though captured 116
- 3. Rewind Selecta 123
- 4. Hetero-temporality 125
-
V. Paradox Synchronicities
- 1. Contextualization 129
- 2. IWHISHIWAS or WISHIWASHI ? 134
- 3. From Leitkultur to Leightkultur 143
-
VI. Abstract Facts
- 1. Enter and Exit the New Negro 155
- 2. Enter and Exit the New Negro—From Invisible Visibilities 160
- 3. Enter the New Negro 165
- 4. Ambiguity as Chance—Abstraction as Means of Identity 169
- VII. Post-Post-black 183
- VIII. Bibliography 193