Musical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century

Christian Utz

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Musical Composition in the Context of Globalization

New Perspectives on Music History in the 20th and 21st Century

Übersetzt von: und

Sprache: Englisch

Veröffentlicht/Copyright: 2021

Über dieses Buch

This book provides a deeper understanding of how processes of globalization, cultural exchange, and transformation are reflected in new musical structures, sounds, and communication.

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Utz Christian :

Christian Utz (Dr. phil.) ist Professor für Musiktheorie/Musikanalyse an der Universität für Musik und darstellende Kunst Graz. Seine Forschungsschwerpunkte sind Geschichte und Theorie der Musikwahrnehmung, Analyse neuer Musik sowie interkulturelle Kompositionsgeschichte.

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Besprochen in:

Circuit, 32/1 (2022), Robert Hasegawa

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Frontmatter
1

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Table of Contents
5

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Preface
9

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Preface to the Revised and Expanded English Edition
11

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Acknowledgements
15

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List of Examples, Figures, and Tables
17

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I. Introduction: Art Music, Identity, and Reflexive Globalization
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1. Art Music in a Global Context
25

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2. Identity Criticism and Reflexive Globalization
29

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3. Discourses of Intercultural Composition
38

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II. Toward an Entangled History of Twentieth-Century Music in a Global Context
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1. Preliminaries of an Intercultural Music Historiography
47

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2. Internationalism and Universalism: Repercussions of Political and Cultural History
63

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3. The Ambivalence of the Local in Twentieth-Century Music
75

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4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka
82

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5. Re-Reading the Impact of the “Cultural Cold War” on Music History: Cowell, Mayuzumi, Berio
114

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6. Categories of Intercultural Reception in Western Composition
135

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III. Studies on the History and Analysis of New East Asian Music
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1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century
155

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2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile
167

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3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun’s Symphony 1997
194

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4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s
206

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5. Intercultural Narrativity in East Asian Art Music since the 1990s
235

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6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period
263

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IV. The shō Context
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1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ
289

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2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann’s Music
308

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V. New Music and Beyond: Music-Historical and Cultural Entanglements
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1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song
337

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2. Space-Time Movements in György Ligeti’s Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective
363

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3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning
385

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VI. Reflections on My Own Composing as a Search for Traces in the In-Between
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1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space
393

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2. Stratification and Analysis
402

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3. Intercultural and Multilingual Trajectories of the Human Voice
411

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4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically
428

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Bibliography
441

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Appendix
491

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Index
497

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Informationen zur Veröffentlichung

Seiten und Bilder/Illustrationen im Buch

eBook veröffentlicht am:

24. März 2021

eBook ISBN:

9783839450956

Seiten und Bilder/Illustrationen im Buch

Inhalt:

528

Abbildungen:

148

Farbige Abbildungen:

1

https://doi.org/10.1515/9783839450956

eBook ISBN: 9783839450956

Schlagwörter für dieses Buch

Contemporary Music; Contemporary Music; 20th Century; 20th Century; Globalization; Globalization; Transnationalism; Transnationalism; Entangled Histories; Entangled Histories; Asia; Asia; China; China; Japan; Japan; Korea; Korea; Music; Music; Musicology; Musicology; Interculturalism; Interculturalism; Cultural Studies; Cultural Studies; Cultural History; Cultural History

Zielgruppe(n) für dieses Buch

For an expert adult audience, including professional development and academic research

Creative Commons

BY 4.0

transcript

Musical Composition in the Context of Globalization

Übersicht

Über dieses Buch

Information zu Autoren / Herausgebern

Rezensionen

Fachgebiete

Inhaltsverzeichnis

Frontmatter

Table of Contents

Preface

Preface to the Revised and Expanded English Edition

Acknowledgements

List of Examples, Figures, and Tables

1. Art Music in a Global Context

2. Identity Criticism and Reflexive Globalization

3. Discourses of Intercultural Composition

1. Preliminaries of an Intercultural Music Historiography

2. Internationalism and Universalism: Repercussions of Political and Cultural History

3. The Ambivalence of the Local in Twentieth-Century Music

4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka

5. Re-Reading the Impact of the “Cultural Cold War” on Music History: Cowell, Mayuzumi, Berio

6. Categories of Intercultural Reception in Western Composition

1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century

2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile

3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun’s Symphony 1997

4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s

5. Intercultural Narrativity in East Asian Art Music since the 1990s

6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period

1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ

2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann’s Music

1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song

2. Space-Time Movements in György Ligeti’s Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective

3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning

1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space

2. Stratification and Analysis

3. Intercultural and Multilingual Trajectories of the Human Voice

4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically

Bibliography

Appendix

Index

Bibliographische Daten