'L’Histoire de la nature des oyseaux' von Pierre Belon
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Christine Kleiter
About this book
Pierre Belon’s treatise on birds, published in Paris in 1555, is regarded as a pioneering early work of ornithology. Christine Kleiter analyzes this work in its exceptional position as one of the first printed and illustrated natural history treatises. She shows how the text and images pursue the claim to systematically document and catalog knowledge. In doing so, she compares Belon’s work with that of other naturalists, such as Conrad Gessner and Ulisse Aldrovandi. It becomes clear that Belon drew on a variety of sources - from living and dead animals to specimens and drawings - and depicted some animals that had never been seen or described before in Europe. This volume thus offers a completely new insight into the research practices of the early modern period.
Author / Editor information
Christine Kleiter, postdoctoral assistant at the Department of Art History, Early Modern Art Section, University of Basel. In 2024 she was a Fritz Thyssen Postdoctoral Fellow at the German Study Centre in Venice. In 2023, she completed her doctorate in art history at Georg August University of Göttingen. During her doctorate, she worked as a research assistant at the Institute of Art History in Florence - Max Planck Institute. Her research was funded in part by the Cusanuswerk.
Topics
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Frontmatter
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Inhalt
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Dank
9 -
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Einleitung
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1 L’Histoire de la nature des oyseaux von Pierre Belon
25 -
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2 Belons Holzschnitte als epistemische Bilder
79 -
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3 Der Vogel als Studienobjekt: Bild- und Präparationspraxis
132 -
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4 Was vom Vogel blieb: (Vogel-)Präparate in den Sammlungen Frankreichs und Italiens im 16. Jahrhundert
190 -
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5 Vogel-Taxonomie in Farbe – zum händischen Farbauftrag in Belons Vogelbuch
249 -
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Conclusio
306 -
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Appendices
310 -
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Sigelnachweis
316 -
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Literaturverzeichnis
317 -
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Bildnachweis
364
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