Eine Wiener Schule in Berlin 1900-1933
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About this book
Between 1900 and 1933, many Viennese writers, artists, theater directors and psychoanalysts settled in Berlin, playing a key part in the development of modernism in both cities. The contributions in this volume explore the extent to which a Viennese School developed in Berlin during this period and examine the role of those participating in cultural transfer between Vienna and Berlin. They included writers such as Vicki Baum und Felix Salten, people from the world of theater such as Elisabeth Bergner and Max Reinhardt, designers like Friedl Dicker-Brandeis and Emil Orlik, and scientists like Sigmund Freud and Otto Neurath. Through innovation, they transformed their self-image as ‘outsiders’ into artistic freedom and social utopia.
Author / Editor information
Topics
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Frontmatter
I -
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Inhalt
V -
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Dank
VII -
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The Performativity of the Viennese School in Berlin 1900–1933
1 - Wiener Moderne und Berlin
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„Die Fremde Stadt“
25 -
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Max Reinhardt im Spannungsfeld der Theatermetropolen Wien und Berlin
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Ein Kimono für Marlene Dietrich: Die Wiener Werkstätte in Berlin
55 -
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Emil Orlik – A Secessionist Artist from Prague
69 -
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Flight Without End
87 -
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Verrückungen des Irrationalen von den Peripherien in die Zentren des Rationalen
95 -
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Community Psychoanalysis
107 -
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Otto Neurath und Berlin
119 - Berlin und Wiener Moderne
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„Durch einen dieser schicksalhaften Zufälle“
137 -
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„In ihren Farben und Formen […] künstlerisch und eigenartig“
155 -
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Talent in Perfektion
169 -
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Managing Scandal
181 -
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Das Wienerische aus Berliner Sicht
193 -
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Hertha Pauli – Zwischen den Welten und Metropolen
205 -
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„Writin’ is fightin’“
219 -
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Deutsche Zusammenfassung
231 -
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Autor*innen
233 -
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Index
237 -
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Bildnachweis
251
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