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Judenrollen

Darstellungsformen im europäischen Theater von der Restauration bis zur Zwischenkriegszeit
  • Edited by: Hans-Peter Bayerdörfer and Jens Malte Fischer
  • In collaboration with: Frank Halbach
Languages: German, English
Published/Copyright: 2008
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Conditio Judaica
This book is in the series
Volume 70 | Conditio Judaica

About this book

Collected volume of studies on the stage representation of Jews in European theatre between 1830 and 1940. The way in which Jews are represented on the stage stretches between the poles of anti-Judaism and anti-Semitism on the one side and Jewish renaissance and Zionism on the other. The individual studies all consider the boundary conditions given by cultural and mental history. This volume is the first attempt to view both the spoken word and musical theatre from this point of view.

Author / Editor information

Hans-Peter Bayerdörfer und Jens Malte Fischer, Ludwig-Maximilians-Universität München.

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    Frontmatter

    I
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    Inhaltsverzeichnis

    V
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    Vorwort

    1
    Hans-Peter Bayerdörfer and Jens Malte Fischer
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    Väterliche Liebe und Christenhass

    21
    Sieghart Döhring
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    Der jüdische Tenor als Éléazar

    41
    Daniel Jütte
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    Die ›Schöne Jüdin‹ in Oper und Schauspiel

    57
    Annemarie Fischer
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    Der Jude Almamen und seine Tochter Leila auf der Opernbühne

    77
    Sabrina Cherubini
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    »Weil ich ein Jude bin«

    89
    Anat Feinberg
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    Der Weg des ›erstbesten Narren‹ ins »Planschbecken des Volksgemüts«

    101
    Anette Spieldiener
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    Bedrohte Idylle

    113
    Sebastian Stauss
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    »Bleib zurück, geh nicht in Garten!«

    125
    Florian Krobb
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    Judenfiguren bei Richard Wagner

    143
    Ulrich Drüner
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    Worte oder Werke?

    165
    Sabine Busch-Frank
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    Im Schatten Mimes?

    179
    Frank Halbach
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    »Wer kommt heut in jedem Theaterstück vor? Ä Jud!«

    191
    Marion Linhardt
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    Die komödienhafte Inszenierung einer antisemitischen Affäre

    207
    Nikolaj Beier
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    »Du aber halte meinen Bund«

    221
    Simone Lutz
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    Ernst Tollers Stationendrama Die Wandlung auf der expressionistischen Experimentierbühne »Die Tribüne«

    237
    Andreas Englhart
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    Eine antisemitische Oper?

    255
    Annie-Laure Drüner
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    »Mir is wat unheimlich«

    275
    Itta Shedletzky
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    Die »Zahlenmagie des Heiligen Mehrwerts«

    293
    Georg-Michael Schulz
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    Drei ›unjüdisch-jüdische‹ Künstler

    305
    Karin Kowalke
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    Der Gottesgedanke auf der Bühne

    325
    Ferdinand Zehentreiter
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    ›Das Urlicht über der Finsternis‹

    339
    Sigrid Bauschinger
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    Backmatter

    351
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
August 27, 2008
eBook ISBN:
9783484970304
Hardcover published on:
March 27, 2008
Hardcover ISBN:
9783484651708
Pages and Images/Illustrations in book
Front matter:
8
Main content:
359
https://doi.org/10.1515/9783484970304
eBook ISBN: 9783484970304
Hardcover ISBN: 9783484651708
Keywords for this book
Representation of Jews; Theatre History; Antisemitism; Acculturation
Audience(s) for this book
Academics (German Studies, Theatre Studies, Jewish Studies), Institutes, Libraries
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