Red Glow
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Edited by:
About this book
Davor Konjikušić offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War.
The photographs are used to trace the development of a movement that—while seemingly doomed to certain failure—nevertheless survived the most destructive war in human history.
This book provides new answers to the question of photography’s role as a medium and its significance and use in social movements.
German Photo Book Award 23/24, Silver in the category Documentary-Journalistic Photo Book Volume
Author / Editor information
Davor Konjikušić, journalist and photographer, Zagreb/Croatia; translated into English by Andrew Hodges.
Topics
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Frontmatter
1 -
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Contents
7 -
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Photography, First and Foremost
9 -
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‘You’re Taking Pictures, While We’re Being Killed!’ On Materiality, Art, and the Civil Contract of the Partisan Photo Archive
15 -
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1. Introduction
25 -
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2. The Battleground of Representation: From the Paris Commune to Nazism
33 -
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3. The Social Contexts of Photography and Its Development between the Two World Wars
39 -
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4. The Red Glow of Partisan Photography
45 -
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5. Photography and Propaganda
107 -
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6. Partisan Photography’s Revolutionary Perspective
139 -
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7. Iconic Photographs
153 -
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8. Intelligence Uses of Photography and Trophy Photos of Atrocities
167 -
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9. Photo Archive: The Themes and Subject Matter of Partisan Photography
195 -
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10. Conclusion
396 -
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List of Partisan Photographers
401 -
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Bibliography
416
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com
