Raum und Sehen am päpstlichen Hof von Avignon
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Tanja Hinterholz
About this book
The book shines a light on the fresco cycles of Italian painter Matteo Giovannetti at the papal court of Avignon. After completing his first project in the Chapel of St. Martial, the painter became one of the highest-ranking artists at court. However, due to the unconventional placement of the cycles’ monumental scenes inside the court’s confined spaces, art history never fully recognized the potential of his paintings. Giovannetti’s strength lies in creating visual connections between individual scenes that underline specific messaging regarding papal authority. The book recognizes these visual clues for the first time by considering medieval reading practices, resulting in a new interpretation of these wall paintings while sharpening our understanding of medieval art in general.
- New interpretation of Matteo Giovannetti's painting at the papal court in Avignon
- A new look at the visual habits of the Middle Ages
- Spatial perception and reception-aesthetic considerations for the art of the Middle Ages
Author / Editor information
Topics
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Frontmatter
1 -
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Inhalt
5 -
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Vorwort und Dank
7 -
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1 Einleitung
11 -
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2 Matteo Giovannetti am päpstlichen Hof von Avignon
25 -
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Exkurs: Der Bau des Papstpalastes und die Frühphase der Ausmalung
40 -
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3 Die Fresken der Giovannetti- Werkstatt. Situierung, Funktion, Erhaltungszustand
57 -
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4 Bedeutungsachsen in der Malerei Giovannettis am Beispiel der Audienz
73 -
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5 Die Fresken der Martialkapelle
91 -
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6 Die Fresken der Johanneskapelle Clemens’ VI.
163 -
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7 Die Johanneskapelle Innozenz’ VI. in Villeneuve-lès-Avignon
201 -
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8 Bild und Publikum am päpstlichen Hof von Avignon
245 -
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9 Fazit
267 -
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10 Coda – Die Innovationen Giovannettis im europäischen Vergleich
271 -
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Katalog der Inschriften und Tituli
279 -
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Tafeln
293 -
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Literaturverzeichnis
327 -
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Bildnachweise
337
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com