Images of War Captivity from 1870 to the Present
-
Edited by:
, , and
About this book
War captivity is a prolific field of research for studies on strong asymmetrical dependency. The contributions in the present volume examine how POWs and civilian internees in different military conflicts, including the Franco-Prussian War of 1870/71, the two world wars, and the war in Bosnia, have been represented in visual sources. The images of war captivity addressed in the contributions are as heterogeneous as the contexts in which they were produced; they include allegorical representations and official press photographs, amateurish snapshots and propagandistic film recordings, self-drawn camp albums and comics commemorating war. What they have in common, however, is that they not only offer information about POWs and civilian internees but also interpret and emotionalise their experience. Visual sources may, for instance, document how POWs were treated in a particular camp, but they may also stress a certain amount of agency of the POWs; in addition, they may come to play a vital role in how the detaining power is remembered. Images provide evidence of atrocities and comparatively humane treatment alike – and thus may be relevant to the question whether reconciliation might seem possible in the long run.
Author / Editor information
E. Gardei, TU Berlin, Germany; M. Gymnich, Univ. Bonn; C. Schwall, Univ. Bonn; H.-G. Soeffner, Univ. Bonn, Germany.
Topics
-
Download PDFOpen Access
Frontmatter
I -
Download PDFOpen Access
Contents
V -
Download PDFOpen Access
Images of War Captivity – Introduction
1 - Part I: (Self-)Representation and the Visual Aesthetics of War Captivity
-
Download PDFOpen Access
Picture, Man, Barbed Wire – Visual Representation of Civilian Internees during the First World War
15 -
Download PDFOpen Access
“The Love of Beauty and the Arts” – Photographs from World War I Prisoner of War Camps from the Collection of Jenő Bárkány
35 -
Download PDFOpen Access
Adolf Sindlers Re-Education-Programm als Versöhnungsaktivität und dessen Grenzen: Fritzchens Schnappschüsse von „Utopia“ und „Dachau in Ägypten“
53 - Part II: Political Instrumentalisation and Propagandistic Use of Images
-
Download PDFOpen Access
Leveraging the Captured: War Captivity and the American Imperialist Narrative in Wartime Newsreels about the Philippines
77 -
Download PDFOpen Access
Between Diplomacy and Propaganda: Photographing Soviet POWs during the ICRC’s Visit to Stalag 315 (II F) Hammerstein on 9 August 1941
95 -
Download PDFOpen Access
Nationale Blickverengungen und ausgeblendete Versöhnlichkeit. Bilder französischer Kriegsgefangener in Deutschland, 1870/71
121 -
Download PDFOpen Access
Soviet Prisoners of War in Soviet State Policy and Filmic Reflections: From Irreconcilability to Public Solidarity
145 -
Download PDFOpen Access
Unterlegene Schicksalsgenossen von der anderen Seite der Front? Sowjetische Kriegsgefangene in der finnischen Kriegsfotografie des Fortsetzungskrieges (1941–1944)
171 - Part III: War Captivity as Performativity: Remembrance, Reconciliation and the Visual Construction of Myths
-
Download PDFOpen Access
Helden hinter Stacheldraht. Das Totengedenken der Kriegsgefangenen des Ersten Weltkriegs
193 -
Download PDFOpen Access
„Nermin, komm her!“ – Die Kriegsgefangenen von Srebrenica?
213 -
Download PDFOpen Access
Reproducing Jasenovac: Appropriating Moving Images of Children as ‘Captives of War’
231 -
Download PDFOpen Access
Myths of “Prisoners of War” and Prospects for Reconciliation in Northern Ireland and Bosnia
249 -
Download PDFOpen Access
Reimagining Civilian Internment and Forced Labour during the First World War through the Lens of Reconciliation: The Comic Series La Guerre des Lulus (2013–)
269 -
Download PDFOpen Access
Notes on Contributors
-
Download PDFOpen Access
Index
293
- Manufacturer information:
- Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin - productsafety@degruyterbrill.com