›Versus ad picturas‹ – Text/Image Relation in Greek, Latin and Arabic Poetry
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About this book
Over the last 30 years, many books, conferences and volumes have been devoted to the relationship between text and image in the Late Antiquity and in the Middle Ages. But there has been little space for poetic texts, which, in addition to the direct or mediated message, also demand the attention of the analyst through the impact of the intertext of the entire Latin poetic tradition, multiplying the levels of meaning and therefore the possibilities of interpretation. In relation to the recognition of the need to consider texts (mental or written) as sources of inspiration for images, we are now in a position to take a further step by applying to medieval culture the concept of iconotext developed by Liliane Louvel (2018) for modern literature. In this vein, the Versus ad picturas conference therefore aims to contribute to the study of the relationship between the images we now call artistic, painted on walls, fabrics, stained glass or parchments, and the verses that often accompany them materially or ideally, and which are now increasingly recognised as essential to their cultural understanding and social framing, in the hope of bringing us closer to the meaning hidden in their combination and the meaning perceived by the commissioners, executors and viewers of the time.
Author / Editor information
Michele Cutino, University of Strasbourg, France; Francesco Stella, Università di Siena, Italy.
Topics
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Frontmatter
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Open Access Transformation of the Series Millennium Studies
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Dedication
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Contents
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Avant-Propos
1 - Part I: The Late Antique Icono-textual Communication
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Versus ad picturas ? Retour sur la question des tituli en vers du carmen 27 de Paulin de Nole
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Vignettes narratives et représentations figurées, le dialogue entre texte et image dans le Carmen Paschale de Sedulius et des ivoires contemporains
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Texte et image dans les carmina d’Ennode : les « leçons » des manuscrits
51 -
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Interaction des systèmes sémiotiques et combinaison médiale dans les inscriptions de Gaule et d’Italie du ve au viiie siècle : esquisse d’une étude
77 -
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Images et textes dans l’épigraphie métrique de l’Antiquité Tardive
101 - Part II: The Medieval Icono-textual Communication
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Versus ad Picturas from Text to Context. The Biblical Tituli of the So–Called Bernowinus Episcopus (MGH PLAC I, 413–414) Reconsidered
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La place de l’image dans la transmission du savoir à l’époque carolingienne
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Cassiodore et la géométrie : le « feuillet Nordenfalk » et la théologie de l’ornement
165 -
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Pictorial Exegesis and Imagination in the Anonymous Pictor in Carmine (ca. 1200)
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L’Icon peregrini. La construction poétique de l’image de Jean Gerson (xve–xvie s.)
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Les tituli métriques des fresques de l’église Saint-Georges d’Oberzell sur l’île de Reichenau (IXe–Xe siècle)
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Pictura/scriptura, les tituli du cycle de Sant’Angelo in Formis
217 -
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Images and Inscriptions in Islamic Art of the Arab World. Some Basic Points
231 -
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Text and Image, Text as Image: The Beauty of the Book in Byzantine Book Epigrams
243 - Part III: Herrade de Hohenbourg
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Les échos de la Loire dans l’Hortus deliciarum d’Herrade de Hohenbourg
265 -
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Trinité et Sein d’Abraham : deux images allégoriques et poétiques de l’Hortus deliciarum
285 -
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L’arbre généalogique du Christ dans l’Hortus deliciarum (f. 80v–83r). Une illustration exégétique en image, prose et vers
303 -
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Herrade de Hohenbourg et l’iconotexte médiéval
333 -
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Conspectus Siglorum – List of Abbreviations
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Index of Manuscripts – Index Librorum Manuscriptorum
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Index Locorum
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