The Destruction of Jerusalem in Nineteenth-Century German Culture
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Axel Stähler
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Funded by:
Schweizerischer Nationalfonds zur
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Reviews
“This magisterial study links the development of cultural attitudes in 19th-century Germany to shifting trends in German and Jewish imaginaries of the destruction of Jerusalem and its temple in the first century. It is, to say the least, an extremely ambitious and worthy project. The use of the destruction of Jerusalem so brilliantly interwoven by Stähler is a quintessential example of how a past event plays an outsize role in configuring the position of the Jews in a foreign environment. (…) Stähler’s project is a tour de force that will be important to scholars in modern European cultural production.” – Jacob Lassner, Phillip M. and Ethel Klutznick Professor Emeritus of Jewish Civilization in the departments of History and Religion of Northwestern University, USA.
Topics
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Frontmatter
I -
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Acknowledgments
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Abbreviations
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Contents
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Introduction: Representations of the Destruction of Jerusalem in Nineteenth-Century German Music, Art, and Literature
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Chapter I The Jews and the Destruction of Jerusalem in German Art and Oratorios of the Nineteenth Century
17 -
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Digression I Straddling Cultures: Pierson
145 -
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Chapter II Inspiration from Abroad: The Destruction of Jerusalem and the English Precedent
156 -
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Digression II Vice in all its Ugliness: Rittershausen
254 -
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Chapter III The Destruction of Jerusalem and the Trajectory of Ahasuerus: Fleeing the Conflagration or Seeking it?
267 -
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Digression III The Destruction of Jerusalem and the First World War: Krane
314 -
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Chapter IV The Destruction of Jerusalem as a Battleground in the Culture War
318 -
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Digression IV Contest of the Gods and Contesting the Gods―The Extension of the Kulturkampf and the Rise of Humanity: Schneeberger
492 -
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Chapter V The Destruction of Jerusalem in the German Jewish Literary Imagination
502 -
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Digression V Berenice: belle juive, juive fatale, juive bestiale
656 -
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Works Cited
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Index
741
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