Is Traditional Japanese Culture Transnational?

Kapitel in diesem Buch

1. Frontmatter I
2. Preface V
3. Acknowledgements VII
4. Contents IX
5. List of Illustrations XIII
6. Notes for the Reader XV
7. List of Contributors XVII
8. Prelude
9. Gagaku, the Ceremonial Music of Japan: Cultural Capital, Cultural Heritage, and Cultural Identity 1
10. In Search of the Sound of Righteous Rule: Toward a Cultural History of Gagaku 25
11. Intellectual Discourses
12. The Study of Ceremonial Music (reigaku) in the Edo Period: Research on Japanese Court Gagaku by Confucian Scholars 57
13. Music and Musical Instruments in the Works of Kumazawa Banzan and Kaibara Ekken: The Status of Gagaku in Early Edo Period Thought 75
14. The Samurai and Gagaku
15. Gagaku Practice at Hirosaki Domain 95
16. The Adoption of Gagaku by the Samurai in the Mid-Edo Period From the Diary of Nara Musician 123
17. The Gagaku Academies and Their Musicians
18. Professional and Amateur Gagaku Musicians in the Edo Period 145
19. The Transmissions of Music Lineages in Early Modern Japan: A Case Study of the Oka Family Flute Scores 167
20. Buddhism and Gagaku
21. Gagaku in Buddhist Ceremonies at Nishi Honganji 191
22. Religious and Political Dynamics in the Bugaku of the Hayashi Family (Yamagata Prefecture) 219
23. Gagaku and Modernity
24. Locality and Centralization: Changes to the Performing Arts at Local Shrines from the Meiji Period Onwards 241
25. Curating Sonic Heritage: Sound and Audition at Nara’s Kasuga Wakamiya Onmatsuri 257
26. Toward a Global Gagaku
27. Is Traditional Japanese Culture Transnational? 283
28. Gagaku as World Music: Heritage, Identity, and Creativity 305
29. References 345
30. Index 367