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Nazlı Kilerci-Stevanović
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Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- 1 Introduction: Turkish-German Cinema – A Phenomenon, its Label, and its Affective Dynamics 1
-
Part I: The Media Discourse on Producing the Migrant
- 2 “The Guest-Worker,” “Migrant,” “The Fellow Citizen with Migration Background” 39
- 3 ALMANYA ACI VATAN and 40M2 DEUTSCHLAND 83
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Part II: Arabesk
- 4 A Short Cultural History of Arabesk 149
- 5 GEGEN DIE WAND: Poetics and Aesthetics of a Joyful Sadness 177
- 6 AUSLANDSTOURNEE: An Arabesk Journey to a Nostalgic Past 215
- 7 Conclusion: (Re-)Viewing an Audiovisual History of Migration 246
- Bibliography 253
- Filmography 267
- Image Credits 271
- Name Index 273
- Film Index 279
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- 1 Introduction: Turkish-German Cinema – A Phenomenon, its Label, and its Affective Dynamics 1
-
Part I: The Media Discourse on Producing the Migrant
- 2 “The Guest-Worker,” “Migrant,” “The Fellow Citizen with Migration Background” 39
- 3 ALMANYA ACI VATAN and 40M2 DEUTSCHLAND 83
-
Part II: Arabesk
- 4 A Short Cultural History of Arabesk 149
- 5 GEGEN DIE WAND: Poetics and Aesthetics of a Joyful Sadness 177
- 6 AUSLANDSTOURNEE: An Arabesk Journey to a Nostalgic Past 215
- 7 Conclusion: (Re-)Viewing an Audiovisual History of Migration 246
- Bibliography 253
- Filmography 267
- Image Credits 271
- Name Index 273
- Film Index 279
