Desire for the Underworld: The Neo-avantgarde and Cosmopolitanism in Néstor Sánchez’s Siberia blues (1967)

Chapters in this book

1. Frontmatter I
2. Contents V
3. Introduction 1
4. Forms of Latinoamericanism: Discipline, Genres, and Canon
5. Latin Americanism: A Discipline for the World Stage 13
6. José Carlos Mariátegui: Eurocentrism, Indigeneity, the Avant-Garde, and World Literature 33
7. Latin American Science Fiction and the Art of Anachronism: An “Other” Science fiction is Possible 53
8. Cesar Vallejo’s Ethical Cosmopolitanism: España, aparta de mí este caliz . . . At The Crossroads of Marx and The Bible 67
9. Cosmopolitan Indigeneities: Indigenismos and Indigenous Literatures in the Globe
10. Indigenous Literature: Understandings of Nature Through Andean and Santali Oral Folktales 93
11. Re-Mapping Indigenous Literatures: Nationhood, Subaltern Cosmopolitanism, and Subjectivity 111
12. Forging the Andes: Unearthing the Pastoral Origins of the Peruvian Highlands 129
13. Dislocations and Relocations in the Latin American Novel
14. Between the Body as Limits and the Limits of the Body: Embodied Cosmopolitanism in Carmen Boullosas’ La novela perfecta and Giovanna Rivero’s “El hombre de la pierna” 149
15. From Poso Wells to The Country of the Blind: Gabriela Alemán’s Local World Literature 171
16. Reassembled Networks: Intellectual Circulations and Formations
17. El Premio Herralde de Novela y la literatura mexicana del siglo XXI: circuitos, mercado e internacionalización 191
18. Literary Networks, Counterculture and Cosmopolitanism in Miguel Grinberg 209
19. Desire for the Underworld: The Neo-avantgarde and Cosmopolitanism in Néstor Sánchez’s Siberia blues (1967) 235
20. Index 255