From Words-in-Freedom to Epigenetic Poetry: Evolutions in Futurist Recitation and Performance

Chapters in this book

1. Frontmatter I
2. Table of Contents V
3. Editorial IX
4. Volume Editors’ Preface XV
5. Section 1: Futurism Studies
6. 1 Italy
7. Futurism in Italian Verbo-Visual Poetry after the Second World War 5
8. Bang Tumb Tuuum! The Influence of Futurism on Italian Avant-garde Comic Strips 39
9. Even the Great Marinetti Got It Wrong: Giovanni Tuzet’s Logical Neo-Futurism 69
10. 2 Russia
11. Gennady Aygi and Russian Futurism 97
12. Serge Segay, Rea Nikonova and Italy: Between Futurism and Mail Art 135
13. Konstantin K. Kuzminsky as a Neo-Futurist 167
14. 3 Asia and Latin America
15. The Post-utopian Avant-garde Poetics of the Korean ‘Futurist’ Min-jeong Kim 197
16. The Infrarealist Movement and its Futurist Roots 227
17. Russian Futurism and Brazilian Avant-garde Poetry: Incorporation, Translation, Convergence 253
18. 4 Music, Sculpture and Architecture
19. Back to the Future of The Art of Noises: The After-Life of Futurism in Twentieth-Century Music 285
20. Postcolonial Retro-Futurism: Alessandro Ceresoli’s Linea Tagliero Prototypes 315
21. 5 Artist Statements
22. Transfuturism Manifesto 349
23. From Words-in-Freedom to Epigenetic Poetry: Evolutions in Futurist Recitation and Performance 353
24. The Future of Futurism in Digital Photography 367
25. The Infinite Wrench: An Ensemble Member Reflects on the Theatre Company ‘The Neo-Futurists’ During and After Greg Allen’s Tenure 377
26. Section 2: Reports
27. EAM2022 in Lisbon: The Global Expansion of Futurism in the 1910s and 1920s 399
28. Futurism and the Brazilian Week of Modern Art (1922): Some Thoughts Prompted by the Centenário da Semana de 22 407
29. Anton Giulio Bragaglia: The Archive of a Visionary 425
30. Rosa Rosà / Edith Arnaldi / Edyth von Haynau (1884–1978): A Woman Photographer and Her Futurist Inspiration 437
31. Section 3: Critical responses to new publications
32. The Crisis of Humanism, the Search for a New Man and the Historical Avant-garde 447
33. Looking at the Lives of Avant-garde Women: The Collector as Scholar and Feminist 453
34. Exhibiting Italian Art in the United States: From Futurism to Arte Povera 463
35. Section 4: Bibliography
36. A Bibliography of Publications on Futurism, 2020–2023 471
37. Section 5: Back Matter
38. List of Illustrations and Provenance Descriptions 495
39. Notes on Contributors 501
40. Name Index 509
41. Subject Index 541
42. Geographical Index 569