Physiognomy at the Crossroad of Magic, Science, and the Arts
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About this book
The essays examine how the study of facial features or expressions as indicative of character or ethnicity, has evolved from the crossroad of magic, religion and primitive medicine to present-day cultural concern for wellness and beauty. In this context, the discoveries of cranio-facial neurophysiology and psychology and the practice of cosmetic and reconstructive surgery have a centuries-old relationship with physiognomy. As the study of outward appearances evolved from its classical roots and self-representations through 18th- and 19th-century adaptations in fiction and travelogues, it gradually became a scientific discipline. Along the way, physiognomy was associated with phrenology and craniology and promoted eugenic policies. Tainted with racial bigotry and biological determinism, it was trapped within questions of delinquency, monstrosity and posthumanism. Throughout its history, physiognomy played both positive and negative roles in the evolution of significant aspects of the socio-cultural order in the West that merit update and in-depth study. The contributions follow a chronological and intertwining sequence to encompass physiognomic expressions in art, literature, spirituality, science, philosophy and cultural studies.
Author / Editor information
Massimo Ciavolella and Megan Tomlinson, University of California at Los Angeles; Valeria Finucci, Duke University, NC; USA.
Topics
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Frontmatter
I -
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Acknowledgments
V -
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Contents
VII -
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List of Figures
IX -
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List of Contributors
XV - Introduction
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Revealing and Concealing: Physiognomy and Bodily Signs
1 - Facial Signs
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Physiognomy: The Origins
23 -
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Between the Face and the Skull: Jacopo Ligozzi and the Other Side of the Mirror
35 -
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Profiling Deviance, Embodying Passions: Facing and Effacing Character Norms in 19th-century Europe
65 -
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Angelica, Clorinda and the descriptio puellae
95 - Transforming Faces
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Facial Gender-Affirming Surgery: Shaping Physiognomy for Transgender and Gender Non-Congruent Individuals
115 -
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Fugitives, Physiognomy, Surgery, and Face Recognition Technology in the Modern Surveillance State
135 -
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Modifying One’s Physiognomy in Antiquity
157 -
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Faces in Rocks and Trenches: Facial Framings and Post-Colonial Dilemmas in the Australian Cinema of Peter Weir
175 - Deciphering Faces
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Reading Body Language and Physiognomic Signs in Andrea Mantegna’s Painting The Triumph of Virtue
221 -
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The Cult of Beauty and Wellbeing in the Humana Physiognomonia and Other Works by Giovan Battista della Porta
243 -
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The French Lavater: Translating Physiognomy into Science in the Late Enlightenment and Beyond
261 -
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The Language of Emotions: From the Physiognomy of Giovan Battista della Porta to the Neuroscience
291 -
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Folk Psychology and Physiognomy: Competing Strategies for Reading Other Minds
309 -
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Index
329
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