BIBLIOGRAPHY

Chapters in this book

1. Frontmatter 1
2. CONTENTS 5
3. ACKNOWLEDGEMENTS 7
4. INTRODUCTION CAN ART HISTORY BE MADE GLOBAL? 11
5. CHAPTER ONE THE WORLD IN A GRAIN OF SAND A Genealogy of World Art Studies 41
6. CHAPTER TWO MAKING AND SEEING IMAGES Tracking the Routes of Vision in Early Modern Eurasia 79
7. Plates I 121
8. CHAPTER THREE TRAVERSING SCALE(S) Transcultural Modernism with and Beyond the Nation 137
9. CHAPTER FOUR BEYOND BACKWATER ARCADIAS Globalised Locality and Contemporary Art Practice 201
10. CHAPTER FIVE WHEN ART EMBRACES THE PLANET The Contemporary Exhibition Form and the Challenge of Connected Histories 245
11. POSTSCRIPT THE HUNTER AND THE SQUIRREL Art History from the Global to the Planetary 281
12. Plates II 293
13. BIBLIOGRAPHY 313
14. LIST OF ILLUSTRATIONS 340
15. INDEX 345