Objects and Organisms
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Edited by:
Ella Beaucamp
, Romana Kaske and Thomas Moser
About this book
The interrelations between objects and organisms take many forms, from the microbes known to inhabit medieval manuscripts to the biomorphic forms observable in Art Nouveau lamps, and from the androids cast in American superhero comics to the coral found on Chinese porcelain recovered from shipwrecks. The contributions to this volume investigate various interactions between inanimate and animate matter in art, literature, technology, and other areas of human perception and expression. The book highlights how certain characteristics allow objects to be understood as living organisms, and vice versa. Via a range of dynamics involving vivification and reification, objects and organisms emerge as unstable, transforming within evolving situations.
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Innovative, interdisciplinary object-scientific contribution to critical ecology
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From the early modern period into the 21st century
Author / Editor information
Ella Beaucamp, 2016 Master in Art History and Byzantine Art History, LMU Munich; subsequently part of research group "Pre-modern Objects. An Archaeology of Experience"; dissertation on marble decoration of Venetian palace façades of the Romanesque period, funded by Gerda Henkel Foundation and the German Study Centre Venice; lives and works in Turin
Romana Kaske, PhD LMU Munich on objects of war in German-language poetry of the Middle Ages; subsequently Academic Fellow, University of Toronto and LMU Munich; she has conducted research on trust and pamphlets in the early modern period; lives and works in Toronto and Munich
Thomas Moser, studied art history, philosophy and architecture in Munich, Paris and Vienna; 2021 doctorate at LMU Munich; fellowships and guest residencies at the Getty Research Institute, Los Angeles (2022), Warburg Institute London (2021), Course Research Group "Imaginaries of Power", University of Hamburg (2019/2020), German Forum for Art History Paris (2018); since 2020, university assistant at the Research Department of Art History, TU Vienna
Topics
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Ella Beaucamp, Romana Kaske and Thomas Moser Requires Authentication Unlicensed Licensed |
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Framing and Containing
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Ernst Seidl Requires Authentication Unlicensed Licensed |
21 |
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Annerose Keßler and Isabelle Schwarz Requires Authentication Unlicensed Licensed |
37 |
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Stefan Scheuerer Requires Authentication Unlicensed Licensed |
60 |
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Strategies of Vivification
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Joana Mylek Requires Authentication Unlicensed Licensed |
75 |
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Thomas Moser Requires Authentication Unlicensed Licensed |
92 |
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Strategies of Reification
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Regina Jucknies Requires Authentication Unlicensed Licensed |
113 |
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Verena Suchy Requires Authentication Unlicensed Licensed |
127 |
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Beyond Polarization
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Hanna Baro Requires Authentication Unlicensed Licensed |
143 |
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Joanna Olchawa Requires Authentication Unlicensed Licensed |
159 |
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Sea Sculpture and/as ‘Vibrant Matter’. The Material Lives of Porcelain Objects Lost and Found at Sea
John White Requires Authentication Unlicensed Licensed |
178 |
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Other Agents
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Joanna Nowotny Requires Authentication Unlicensed Licensed |
195 |
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Kevin Liggieri Requires Authentication Unlicensed Licensed |
215 |
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Requires Authentication Unlicensed Licensed |
235 |
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com